Eddie Heywood

Eddie Heywood
Eddie Heywood
artist
artist.tools
Playlist Risks
Listeners
45,322/mo
Est. Royalties
$171 - $685/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
8
Albums
0
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Eddie Heywood's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USNew York City, US800
USLos Angeles, US714
GBLondon, GB588
USChicago, US551
USBrooklyn, US483

Playlist Summary

Overview of this artist's relationship with playlists
2,214
Playlist adds
0
High-risk playlist adds
319,356
Playlist follower reach (sum)
3,670+
Listeners from playlists
Estimated
8.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

The Eddie Heywood Sextet was very popular in the mid-'40s, playing melodic and tightly arranged versions of swing standards. Heywood's father, Eddie Heywood, Sr., was a strong jazz pianist of the 1920s who often accompanied Butterbeans and Susie. He taught piano to his son, who played professionally when he was 14. Heywood Jr. performed with bands led by Wayman Carver (1932), Clarence Love (1934-1937), and, after moving to New York, Benny Carter (1939-1940). Heywood led his own group from that period on, backing Billie Holiday on a few occasions starting in 1941. In 1943, Eddie Heywood took several classic solos on a Coleman Hawkins quartet date (most notably "The Man I Love") and put together his first sextet, which also included Doc Cheatham and Vic Dickenson. Their 1944 version of "Begin the Beguine" became a hit, and three years of strong success followed. During 1947-1950, Heywood was stricken with a partial paralysis of his hands and could not play at all. He made a gradual comeback in the 1950s, mostly performing watered-down commercial music in addition to composing the standard "Canadian Sunset." Despite a second attack of paralysis in the late '60s, Eddie Heywood continued performing into the 1980s. ~ Scott Yanow, Rovi

Updated Nov 3, 2026, 6:17 AM
First discovered Sep 18, 2026, 6:06 AM