Pato Banton

Pato Banton
Pato Banton
artist
artist.tools
Playlist Risks
Listeners
960,935/mo
Total Streams
156,989,766
Followers
88,979
Est. Royalties
$1,335 - $5,340/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
12
Albums
0
EPs
14
Singles
156,989,766
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Pato Banton's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

MXMexico City, MX96,480
COBogotá, CO58,709
CRSan José, CR34,541
GTGuatemala City, GT28,758
PELima, PE26,088

Playlist Summary

Overview of this artist's relationship with playlists
20,980
Playlist adds
1
High-risk playlist adds
5,601,330
Playlist follower reach (sum)
119,350+
Listeners from playlists
Estimated
12.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Birmingham, England reggae singer/toaster Pato Banton (born Patrick Murray) made his debut on the English Beat's third album, 1982's Special Beat Service, helping out Ranking Roger on the track "Pato and Roger a Go Talk." Five years later, Banton returned with his debut solo release, Never Give In, which featured backing by Birmingham's Studio Two house band and a guest appearance by Paul Shaffer; the album was enlivened by Banton's comic vocal characterizations. An EP featuring several versions of the Never Give In track "Pato and Roger Come Again" (another duet with Ranking Roger) appeared in 1988, followed the next year by the full-length Visions of the World, which found Banton moving towards a poppier soul/reggae approach. 1990's Wize Up! (No Compromize) contained Banton's first American college radio hit, a cover of the Police's "Spirits in the Material World," as well as a duet with Steel Pulse's David Hinds on the title track. After a dub collaboration with the Mad Professor (Mad Professor Recaptures Pato Banton) and a live album (Live and Kickin' All Over America), Banton recorded Universal Love in 1992. It took him a while to come up with brand new material afterwards; he finally resurfaced in 1994 with a version of Eddy Grant's "Baby Come Back" performed with Robin and Ali Campbell of UB40, which hit the British charts and prompted the best-of Collections. Banton finally delivered a full album of new material in 1996 with Stay Positive. Life Is a Miracle followed in the spring of 2000. ~ Steve Huey, Rovi

Updated Oct 2, 2026, 9:33 PM
First discovered Aug 23, 2026, 5:59 PM