VoX LoW

VoX LoW
VoX LoW
artist
artist.tools
Playlist Risks
Listeners
50,051/mo
Total Streams
10,219,371
Followers
26,625
Est. Royalties
$144 - $575/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
5
EPs
12
Singles
10,219,371
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View VoX LoW's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

FRParis, FR1,303
DEBerlin, DE1,217
MXMexico City, MX1,075
GRAthens, GR762
GBLondon, GB694

Playlist Summary

Overview of this artist's relationship with playlists
3,532
Playlist adds
0
High-risk playlist adds
343,964
Playlist follower reach (sum)
1,650+
Listeners from playlists
Estimated
3.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Vox Low stands straight under a freezing acid rain, facing adversity, and from the outset of this first LP the message is clear; time for an OK Corral showdown with the opening title “Now, We’re Ready to Spend”: “It costs so much, but now we’re ready to spend.”.A superb black mass for a bunch of hippies high on mandrax and dressed in rags and sheepskins. Later in the album comes the song You Are a Slave: “You are a slave/but you don’t remember” – a punk, nihilist topic for a straightforward cold-as-a-razor-blade title. There are hits as well, such as Something Is Wrong, their anthem for a jilted generation coming down from MDMA, for those who hate dancing, in the back. With Trapped in the Moon and It’s Rejuvenation, the Parisians deliver a certain idea of modernity: a cardboard western feel à la Morricone, as goth as the Sisters of Mercy, and VHS retro-futurism. Vox Low delivers the record nobody expected anymore, one that captures the spirit of the world in motion, for the attention of a crowd of social rejects who have one knee in the gutter but refuse to surrender to the prevailing cynicism. A dark, poisonous, nihilist and erudite piece of work for those who worship Primal Scream’s “Screamadelica” and Gary Numan, who stand in line at the Berghaim with their pockets empty but their heads full of ideals. Paris is a moveable feast. Gérard LOVE.

Updated Oct 5, 2026, 5:56 PM
First discovered Aug 28, 2026, 1:17 PM