Gaetano Latilla

Gaetano Latilla
Gaetano Latilla
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners399-1.0%7dListeners from Playlists600.0%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
0
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Gaetano Latilla's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

FRParis, FR12
DEMunich, DE9
DEBerlin, DE8
ATVienna, AT6
PTLisbon, PT5

Playlist Summary

Overview of this artist's relationship with playlists
94
Playlist adds
0
High-risk playlist adds
8,291
Playlist follower reach (sum)
60+
Listeners from playlists
Estimated
15.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Latilla composed comic operas, serious operas and some instrumental quartets while he was in London. The majority of his works are not in tact and it cn be presumed that since he was employed for the greater part of his life in the church or with charitable establishments that he composed numerous sacred pieces as well. Few of these works have survived. Latilla was a choir boy of Bari Cathedral when he moved to Naples to study at the Conservatory. Mancini and Veneziano were the masters at that time one of which probably directed Latilla. His own success began with the composition of ths opera "Li marite a forza" in 1732 and a number of other comic operas followed during the next five years. Outside of Naples his fame spread to Rome with the serious opera "Demofoonte" as well as with commissions for more comic operas from patrons within that city. The earliest surviving comic opera by Latilla is "Angelica ed Orlando" while the last was "Antigono." Characteristically Latilla's later music included longer melodic passages and thicker accompaniments. Earlier works tended to be more lyric and sweet when compared with his later works. Arguably this was because Latilla attempted to remain current with the new styles and manners of Piccini and Sacchini. ~ Keith Johnson, Rovi

Updated Nov 14, 2026, 8:58 PM
First discovered Nov 5, 2026, 8:45 PM