Massimo Salustri

Massimo Salustri
Massimo Salustri
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
0
Albums
0
EPs
26
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Massimo Salustri's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

MXMexico City, MX15
SVSan Salvador, SV9
MXToluca, MX5
ITRome, IT4
AUMelbourne, AU4

Playlist Summary

Overview of this artist's relationship with playlists
62
Playlist adds
0
High-risk playlist adds
37,780
Playlist follower reach (sum)
160+
Listeners from playlists
Estimated
72.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
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Happened at

Biography & Metadata

He entered the world of music in 1977 at the age of 14, preparing tracks for DJs on the first Italian private radio stations. But he didn't like this, and immediately became passionate about the art of DJing. The first club he worked at was the “Shangri là” in Rome, and he later joined the staff at the Penny Club in Frascati, still considered one of the most important clubs in central Italy at that time. He worked as a DJ until 1986, meanwhile beginning to explore the world of recording studios, with his apprenticeship lasting until 1989. In the same year, he founded Universe Recording with other musicians, producing his first album entitled TEC-NO-LIMITED-AREA, followed by others produced for Musica Studio Watt Roma. He then participated in the creation of the compilation FELLINIANA, dedicated to the great maestro Federico Fellini on the occasion of the Oscars and published by Flying Records. In the summer of 1993, he worked as co-producer of the single for Cutting Records LAURA O & THE HEARTBEAT LINE “RHYTHM”, which sold 80,000 copies in the United States, with various licences in Europe, radio broadcasts and guests at Midem. It was a great period, but the artists were independent and in 1995 Massimo founded his own production label. Today, he has turned his DJ experience into a hobby and spends some evenings with his old friends in clubs, playing vinyl or CDs, old or new music, it makes no difference. Now the most important thing is the music.

Updated Nov 3, 2026, 5:36 PM
First discovered Aug 21, 2026, 11:31 AM