Johnny Hartman
Johnny Hartman
artist

Johnny Hartman

Playlist Risks
Listeners
1,238,970/mo
Total Streams
398,733,705
Followers
100,868
Est. Royalties
$3,641 - $14,562/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
13
Albums
0
EPs
0
Singles
398,733,705
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB15,132
BRSão Paulo, BR14,321
MXMexico City, MX14,252
USNew York City, US13,315
USLos Angeles, US12,698

Playlist Summary

Overview of this artist's relationship with playlists
6,779
Playlist adds
0
High-risk playlist adds
9,068,861
Playlist follower reach (sum)
282,650+
Listeners from playlists
Estimated
22.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Johnny Hartman rose above others to become the most commanding, smooth balladeer of the 1950s and '60s, a Black crooner closely following Billy Eckstine and building on the form with his notable jazz collaborations, including the 1963 masterpiece John Coltrane and Johnny Hartman. Born in Chicago, he began singing early on and performed while in Special Services in the Army. Hartman studied music while at college and made his professional debut in the mid-'40s, performing with Earl Hines and recording his first sides for Regent/Savoy. After Hines' band broke up later in 1947, Hartman moved to the Dizzy Gillespie Big Band and stayed for two years, recording a few additional sides for Mercury as well. Johnny Hartman's first proper LP came in 1956 with Songs from the Heart, recorded for Bethlehem and featuring a quartet led by trumpeter Howard McGhee. He recorded a second (All of Me) later that year, but was virtually off-record until 1963, when his duet album, John Coltrane and Johnny Hartman, appeared on Impulse. A beautiful set of ballad standards, including top-flight renditions of "Lush Life" and "My One and Only Love," the album sparked a flurry of activity for Hartman, including two more albums for Impulse: 1963's I Just Dropped by to Say Hello and the following year's The Voice That Is. During the late '60s and early '70s, he recorded a range of jazz and pop standards albums for ABC, Perception, and Blue Note. Hartman recorded sparingly during the '70s, but returned with two albums recorded in 1980, one of which (Once in Every Life) earned a Grammy nomination just two years before his death in 1983. ~ John Bush, Rovi

Updated Sep 15, 2026, 8:41 PM
First discovered Aug 18, 2026, 8:35 PM