Danielle Eva Schwob

Danielle Eva Schwob
Danielle Eva Schwob
artist
artist.tools
Playlist Risks
Listeners
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
0
Albums
1
EPs
2
Singles
957,166
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Danielle Eva Schwob's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR635
BRRio de Janeiro, BR210
BRItabuna, BR185
BRBrasília, BR184
BRBelo Horizonte, BR175

Playlist Summary

Overview of this artist's relationship with playlists
209
Playlist adds
0
High-risk playlist adds
358,524
Playlist follower reach (sum)
8,152+
Listeners from playlists
Estimated
100.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Danielle Eva Schwob represents a new-generation of composer-performer, one who crosses genres with impact and aplomb. The classically trained artist feels as at home composing bold, immersive instrumental music for concert halls and film scores as she does crafting art-pop recordings that brim with irresistible hooks. Danielle is also a music entrepreneur, gifted at curating programs, producing events and convening disparate talents – keen to create synergistic presentations whereby the visual enhances the aural. Originally from London but now based in NYC and LA, Danielle has been singled out as “a notable cross-genre composer” by The New Yorker, while NPR marveled over her pop-music project, DELANILA, saying of its debut release, Overloaded: “This album – wow. It really creates a world… a huge record.” About her ability to move adroitly from one genre to the other , Danielle says: “Music is a language. Composing a string quartet is different from producing a pop song, like speaking French is different from speaking English, but they are both languages, just as a string quartet and a pop song are both music. You can invest pop music with a richness and complexity akin to classical music, just as you can create classical works that have an emotional directness like the best pop songs. Whether it’s classical music or a film score or a rock record, you want to communicate feeling to the audience. There may be different techniques, but the destination is the same: emotion.”

Updated Nov 4, 2026, 11:48 AM
First discovered Sep 30, 2026, 11:41 AM