Henri Texier
Henri Texier
artist

Henri Texier

Playlist Risks
Listeners
153,597/mo
Followers
46,196
Est. Royalties
$514 - $2,056/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
33
Albums
0
EPs
12
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Henri Texier's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB3,086
DEBerlin, DE2,934
FRParis, FR2,519
NLAmsterdam, NL1,999
TRIstanbul, TR1,974

Playlist Summary

Overview of this artist's relationship with playlists
8,126
Playlist adds
0
High-risk playlist adds
1,529,213
Playlist follower reach (sum)
14,930+
Listeners from playlists
Estimated
9.7%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Henri Texier is an outstanding French bassist who has concentrated most of his activity in his native land. Born in Paris, Texier began his career at age 15 playing piano in nightclubs, but he soon switched to bass in order to play in the big band of Jef Gilson. That brought Texier into contact with drummer Daniel Humair, and together they developed one of the strongest rhythm sections working in France in the early '60s. Texier and Humair quickly found work backing up touring American artists, among them Bud Powell, Donald Byrd, Phil Woods, Dexter Gordon, and Chet Baker. By 1968, Texier and Humair had been joined by pianist Martial Solal, and the three collaborated on some pivotal recordings made with vacationing saxophonist Lee Konitz. Also in 1968, Texier formed the group European Rhythm Machine, which featured Woods, Humair, Gordon Beck, and George Gruntz. In the '70s, Texier took time off to learn a number of additional instruments, including oud, flute, cello, and various types of percussion, and to develop his singing voice. Upon his return to full-time performance, Texier played in a number of ensembles, often with Louis Sclavis and drummer Aldo Romano. In 1986, Texier began a fruitful relationship with Label Bleu, which has released most of his work since then. In the early '90s, Texier's son Sebastian Texier joined on as reed player with his father's groups, often playing clarinet. North African motifs have played an important part in Texier's work since the mid-'90s and in 2001, Texier's trio began to tour Europe accompanying the practically silent 1970 Algerian film Remparts d'Argile. Henri Texier has a strongly physical approach to the bass, although his tone is often described as "bell-like." American auditors may feel that Texier simply walks a crooked line between hard bop and free, but in France Texier has gained recognition for his work in developing a type of jazz that is uniquely French and not beholden to American models. In June 2001, Texier was made a Chevalier of the l'Ordre National de la Légion d'Honneur, the highest honor the French government accords to its artists. ~ Uncle Dave Lewis, Rovi

Updated Sep 16, 2026, 12:41 PM
First discovered Aug 26, 2026, 12:36 PM