Kate & Anna McGarrigle

Kate & Anna McGarrigle
Kate & Anna McGarrigle
artist
artist.tools
Playlist Risks
Listeners
84,443/mo
Followers
32,170
Est. Royalties
$317 - $1,267/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
12
Albums
0
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Kate & Anna McGarrigle's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB2,020
CAToronto, CA1,406
CAMontreal, CA1,334
AUMelbourne, AU1,143
AUSydney, AU1,034

Playlist Summary

Overview of this artist's relationship with playlists
5,220
Playlist adds
1
High-risk playlist adds
2,028,774
Playlist follower reach (sum)
54,850+
Listeners from playlists
Estimated
65.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

The music of Montreal-born songwriting sisters Kate & Anna McGarrigle first came to international recognition in 1974 when Linda Ronstadt recorded Anna's "Heart Like a Wheel" as the title song to one of her albums. The Canadian sisters were signed to Warner Bros. and recorded Kate & Anna McGarrigle, an album of deeply felt (sometimes deeply funny) songs with a homey, eclectic folk backing and tart, striking vocals. It was widely hailed. Its two follow-ups seemed rushed, though they contained some good songs. In 1981, the sisters (having left Warner) recorded French Record for Joe Boyd's Hannibal label, and it showed considerable charm. Love Over and Over, in 1982, marked a move toward rock that cheered fans but also turned out to be their last album for almost a decade. In the meantime, they raised families -- Kate McGarrigle and Loudon Wainwright III were the parents of Rufus Wainwright and Martha Wainwright -- and ventured out every now and then to play a few rapturously received dates, especially in the Northeast. At one of these in the late '80s, they said they'd been working on a musical with producer Roma Baran. That project never came to fruition, but in 1990 they finally returned to the record racks with Heartbeats Accelerating. The McGarrigle Hour arrived in 1998, followed by The McGarrigle Christmas Hour in 2005. The McGarrigle sisters' last performance together was at a Christmas season concert at London's Royal Albert Hall on December 9, 2009. Proceeds from the concert benefited the McGill University Health Center's Kate McGarrigle Fund, established to support McGill's cancer care and research programs in Montreal. Kate McGarrigle had been diagnosed with cancer in 2006, and died six weeks after the Royal Albert Hall concert at her home in Montreal on January 18, 2010, at the age of 63. Tell My Sister, a lovingly packaged three-disc tribute to Kate that compiled remastered versions of the sisters' self-titled debut album from 1976 and its follow-up, 1977's Dancer with Bruised Knees, along with a third disc of previously unreleased songs (including several solo and duo demos), appeared from Nonesuch Records in 2011. ~ William Ruhlmann & Steve Leggett, Rovi

Updated Nov 1, 2026, 8:54 PM
First discovered Dec 7, 2025, 4:45 PM