DJ Micro

DJ Micro
DJ Micro
artist
artist.tools
Playlist Risks
Listeners
533/mo
Est. Royalties
$2 - $6/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
0
Albums
0
EPs
16
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View DJ Micro's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GRAthens, GR23
USDenver, US11
USDallas, US11
USLos Angeles, US7
USPhoenix, US7

Playlist Summary

Overview of this artist's relationship with playlists
128
Playlist adds
0
High-risk playlist adds
65,554
Playlist follower reach (sum)
300+
Listeners from playlists
Estimated
56.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

DJ Micro became one of North America's most popular after relentlessly touring the States and recording mix albums for Moonshine. His ascendance began on the East Coast, where in 1991 Micro helped form the Caffeine Records collective in New York. During this time, Caffeine was more than just another record label. Beginning as a weekly club night, it embodied the era's burgeoning rave scene, hosting many parties and selling goods -- in essence, building a brand. Micro spun at many of Caffeine's parties, specializing in acid breakbeat. He recorded two mix albums for Roadrunner in the late '90s -- Coast to Coast (1997) and Caffeine: The Natural Stimulant (1998) -- but, more importantly, hooked up with Moonshine in 1998. This Los Angeles-based label dominated the CD market in the States, releasing more DJ mix albums than any other U.S. label. Micro's first release for Moonshine, Micro-Tech Mix (1998), would be followed by a large succession of mix albums, usually one released annually and each increasingly popular. Micro slightly changed his style with each album and moved toward trance without forsaking his breakbeat roots. By the end of the '90s, he had become one of the most popular DJs on the East Coast, considered in the same class of superstar DJs as Frankie Bones and Scott Henry. Like his superstar peers, Micro toured often, particularly on the East Coast. His popularity spanned the States, though. For instance, DJ Times magazine put Micro on the cover of its 1999 Winter Music Conference edition, surely a testament to his reputation as one of North America's largest draws. ~ Jason Birchmeier, Rovi

Updated Oct 10, 2026, 6:23 PM
First discovered Aug 14, 2026, 2:17 PM