Josef Protschka

Josef Protschka
Josef Protschka
artist
artist.tools
Playlist Risks
Listeners
568/mo
Total Streams
4,882,475
Est. Royalties
$2 - $9/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
10
Albums
0
EPs
0
Singles
4,882,475
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Josef Protschka's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ATVienna, AT30
DEMunich, DE12
DEBerlin, DE9
GBLondon, GB8
MXMexico City, MX7

Playlist Summary

Overview of this artist's relationship with playlists
13
Playlist adds
0
High-risk playlist adds
8
Playlist follower reach (sum)
0
Listeners from playlists
Estimated
0.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Czech by birth, German by parentage, Josef Protschka emerged as one of the more important tenors of his generation, despite a belated start to his operatic career. His repertory has been broad, encompassing Monteverdi, Mozart, Schubert, Gounod, Stravinsky, and others in opera, and Mozart, Schubert, and Schumann, to name a few, in lieder. Protschka was born in Prague on February 5, 1944. He exhibited talent as a child and thus sang in performances of the so-called Schuloper, Der Jasager, by Kurt Weill, recording it as well in 1955. After studies in Cologne, Protschka slowly shaped his career, appearing in concerts and solo recitals, not making his official operatic debut until 1977, in Giessen, Germany. After other appearances on-stage and further concerts and lieder recitals, Protschka began singing at the Cologne Opera in 1980. Protschka's first important recordings were beginning to appear around this time. Among them was the 1980 release of Heinrich August Marschner's seldom-staged effort Der Vampyr. Protschka debuted at Salzburg in 1985, singing Peisander in Monteverdi's Il ritorno d'Ulisse, and at the Drottningholm Palace Theater, Sweden, the following year as Idomeneus in Mozart's Idomeneo. Protschka's recordings were gaining greater notice now, and among the more important of them were his 1987 Beethoven Missa Solemnis on Aurophon and the Nikolaus Harnoncourt-led Die Fledermaus on Elektra, from 1988, in which Protschka portrayed Alfred. Other successful recordings followed, including discs of Mozart lieder and arias, and Wagner's The Flying Dutchman. Meanwhile, Protschka debuted at Covent Garden in 1990, singing Florestan in Beethoven's Fidelio, and at the Houston Grand Opera the following year singing Titus in Mozart's La Clemenza di Tito. Later roles included Tom Rakewell in Stravinsky's The Rake's Progress and Werther in Massenet's eponymous opera. Before the dawn of the next milennium, Protschka appeared in most of Europe's major opera houses, including those in Milan, Zurich, and Brussels. In the new century, Protschka has been less active in his career, though he did appear on a DVD recording of the Beethoven Missa Solemnis in 2000, conducted by Michael Gielen for the Pioneer Classics label. In 2006, Protschka conducted master classes in singing at Kleinkummerfeld, Germany, focusing primarily on the music of Robert Schumann.

Updated Nov 3, 2026, 6:17 AM
First discovered Aug 26, 2026, 6:02 AM