Phuzekhemisi

Phuzekhemisi
Phuzekhemisi
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners54,837-0.3%7dListeners from Playlists5,800-0.9%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
22
Albums
0
EPs
3
Singles
13,438,071
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Phuzekhemisi's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ZAJohannesburg, ZA14,027
ZADurban, ZA12,441
ZACape Town, ZA7,954
ZAPretoria, ZA6,910
ZAPort Elizabeth, ZA1,991

Playlist Summary

Overview of this artist's relationship with playlists
603
Playlist adds
0
High-risk playlist adds
234,580
Playlist follower reach (sum)
5,800+
Listeners from playlists
Estimated
10.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

When Trevor Payne, the Barbados-born founder and director of the Montreal Jubilation Gospel Choir, heard the singing of South African vocalist and songwriter Phuzekhemisi (born Johnston Zibakwakhe Mnyandu), he was so impressed that he immediately envisioned a collaboration between his choir and Phuzekhemisi and his group. Their joint performance at St. James United Church in Montreal was recorded and released as Jubilation VII: Hamba Ekhaya. Phuzekhemisi was no stranger to music. As John Bhengu, he had built his reputation as a finger style acoustic guitarist in the streets of Durban, Johannesburg, during the 1950s. Switching to the electric guitar and assuming his current name in the late '60s, he continued to pioneer the Zulu-traditional music known as maskandi. A native of the small South African village of Maskanda, Phuzekhemisi launched his musical career shortly after relocating to Johannesburg. After building a following as a street musician, he was taken under the wing of Welcome Bhodloza Nzimande, station manager of Ukhozi FM (formerly Radio Zulu). With Nzimande's encouragement, he was able to secure a recording contract in the early '60s. His debut album, Imbizio, which combined traditional maskandi and township jive, sold more than 100,000 copies and qualified for double-platinum status. ~ Craig Harris, Rovi

Updated Nov 14, 2026, 6:48 PM
First discovered Sep 16, 2026, 2:12 PM