Lia de Itamaracá

Lia de Itamaracá
Lia de Itamaracá
artist
artist.tools
Playlist Risks
Listeners
77,711/mo
Followers
39,430
Est. Royalties
$100 - $401/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
4
Albums
1
EPs
12
Singles
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR14,997
BRRio de Janeiro, BR5,703
BRRecife, BR3,419
BRBrasília, BR3,212
BRBelo Horizonte, BR3,153

Playlist Summary

Overview of this artist's relationship with playlists
1,663
Playlist adds
0
High-risk playlist adds
608,496
Playlist follower reach (sum)
13,700+
Listeners from playlists
Estimated
17.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

A composer/singer/dancer in the genres of ciranda, coco, and maracatu, Lia de Itamaracá in her 43-year career has become a major cultural reference for Pernambuco and Brazil, even if she has spent her life in the outskirts of the media. Her innumerable compositions were never written and she keeps them all in her head. One of the last representatives of the ciranda tradition, she has been living in poverty as the cooker at the public junior and high school of the Itamaracá island (near Recife, Pernambuco), as a tourist guide, and also doing local performances in bars and restaurants. Her stage name came from a broadly popular ciranda done as a tribute to her in 1962 by Teca Calazans, which went like "Essa ciranda quem me deu foi Lia/Que mora na Ilha de Itamaracá." After the recording of her first album, Rainha da Ciranda (1977), she had access to nationwide exposure through the powerful Fantástico show (TV Globo), but she quickly felt in ostracism and spent over 20 years without recording again. But she never gave up composing and doing local performances. In 1998, rediscovered by producer Beto Hees, she participated in the 1998 Abril Pro Rock Festival with success. Her second album came in 2000, Eu Sou Lia, having five tracks recorded live during the Vozes do Mundo project realized at the Banco do Brasil cultural center (Rio) in 1998. The title track was written especially for her by Paulinho da Viola. While the new album brought new opportunities for national and especially regional performances, she continues to carry on her simple way of life on Itamaracá island. ~ Alvaro Neder, Rovi

Updated Oct 2, 2026, 6:56 PM
First discovered Jan 13, 2026, 11:48 PM