Promise And The Monster

Promise And The Monster
Promise And The Monster
artist
artist.tools
Playlist Risks
Listeners
2,549/mo
Est. Royalties
$11 - $44/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
2
EPs
9
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Promise And The Monster's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

SEStockholm, SE46
GBLondon, GB42
AUSydney, AU34
AUMelbourne, AU26
USNew York City, US22

Playlist Summary

Overview of this artist's relationship with playlists
687
Playlist adds
0
High-risk playlist adds
190,915
Playlist follower reach (sum)
1,960+
Listeners from playlists
Estimated
76.9%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Having established herself as one of Sweden’s most esoteric, mesmerising songwriters, with critical acclaim from Uncut, Mojo, Clash and Pitchfork, and shows with the likes of Chelsea Wolfe, Mark Kozelek and Jens Lekman, Promise and the Monster (aka Billie Lindahl) has signed to Icons Creating Evil Art (SWE). Billie’s musical education started young, playing Swedish folk on the cello at school by day and recording mix tapes by night. She became fascinated with Nick Drake, Kaki King and Elliot Smith, writing her debut EP Antarktis and first album Transparent Knives at the age of 18, having been picked up by Imperial Recordings. With a father playing Country bands and mother into eclectic mix of jazz and alternative rock, from day one her tastes were always going to be fluid. By second album Red Time (2009), Promise and the Monster were touring Europe with, among others, label mate José Gonzales. Collaborations followed, with experimental bands such as Alcest and This Gift is a Curse along with performances on heavyweight festival bills such as Roadburn. Signing to Bella Union for her third full-length she released Feed The Fire (2016) produced by Love Martinsen, a quintessential break-up record that focused on abstract imagery. In 2020, Martinsen joined Billie to co-write her upcoming material. The new songs exploring a less introspective side of her psyche, with an emphasis on the tongue-in-cheek nature lurking beneath a veneer of earnestness.

Updated Nov 2, 2026, 5:08 PM
First discovered Oct 27, 2026, 5:05 PM