Isaac Birituro & The Rail Abandon

Isaac Birituro & The Rail Abandon
Isaac Birituro & The Rail Abandon
artist
artist.tools
Playlist Risks
Listeners
11,281/mo
Est. Royalties
$41 - $164/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
3
EPs
12
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Isaac Birituro & The Rail Abandon's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

DEBerlin, DE344
GBLondon, GB261
FRParis, FR161
DEHamburg, DE153
CAMontreal, CA132

Playlist Summary

Overview of this artist's relationship with playlists
1,104
Playlist adds
0
High-risk playlist adds
105,329
Playlist follower reach (sum)
400+
Listeners from playlists
Estimated
3.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

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Biography & Metadata

Isaac’s love for the xylophone is in his blood, passed down to him by his father and uncle (Kakraba Lobi) as he heartwarmingly expresses: “My father has travelled across the world entertaining people with his music and he builds xylophones too. I’ve followed in his footsteps. So I absolutely loved making this album and I’m grateful for the opportunity to play for people and demonstrate the beauty of the xylophone–– it means everything to me.” Sonny Johns is a producer/engineer/musician who has been involved in multiple Grammy, MOBO and Mercury Award nominated projects with West African legends including Ali Farka Touré, Oumou Sangaré, Tony Allen, Cheihk Lô and Fatoumata Diawara. Their spontaneous collaboration was a thing of serendipity that started over a couple of ‘Nica Libres’ shared by Sonny and––at that specific time, recently befriended––Tim and Svenja, of Rüt’n’Rock Festivals. Fuelled by Sonny’s love for West African music and years of experience with the sounds and culture of the area, he decided to embark on what proved to be a highly significant adventure. Just one year later, guitar in hand and not really knowing what to expect, Sonny found himself in Kalba, North Ghana, building a mobile recording studio and making music with Isaac and local musicians in a church (the only place that had reliable electricity). Three days in and the album, Kalba, is born; quite an intense and special experience for everyone involved.

Updated Sep 20, 2026, 12:59 PM
First discovered Aug 23, 2026, 12:53 PM