The Beths

The Beths
The Beths
artist
artist.tools
Playlist Risks
Listeners
345,710/mo
Total Streams
192,012,572
Followers
202,631
Est. Royalties
$1,348 - $5,391/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
6
Albums
1
EPs
9
Singles
192,012,572
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USChicago, US8,957
USNew York City, US8,830
GBLondon, GB8,678
AUMelbourne, AU6,487
USLos Angeles, US6,442

Playlist Summary

Overview of this artist's relationship with playlists
29,795
Playlist adds
2
High-risk playlist adds
2,732,401
Playlist follower reach (sum)
37,960+
Listeners from playlists
Estimated
11.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

The Beths know the futility of straight lines. This existential vertigo serves as the primary theme on the New Zealand indie heroes’ fourth album Straight Line Was A Lie (their first for new label ANTI-). The Beths posit that the only way round is through; that even after going through difficult, transformative experiences, you can still feel as though you've ended up in the same place. It's a bewildering thing, realising that life and personal growth are cyclical and continual. That a chapter doesn’t always end with peace and acceptance. That the approach is simply continuing to try, to show up. “Linear progression is an illusion,” lead singer and songwriter Elizabeth Stokes says of the album. “What life really is is maintenance. And finding meaning in the maintenance.”   

Updated Nov 1, 2026, 10:21 PM
First discovered Mar 5, 2024, 2:11 AM