Fatima Guedes

Fatima Guedes
Fatima Guedes
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
8
Albums
0
EPs
5
Singles
8,176,778
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Fatima Guedes' most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR7,516
BRRio de Janeiro, BR5,164
BRItabuna, BR4,056
BRBelo Horizonte, BR2,213
BRSalvador, BR1,975

Playlist Summary

Overview of this artist's relationship with playlists
1,277
Playlist adds
0
High-risk playlist adds
167,108
Playlist follower reach (sum)
1,220+
Listeners from playlists
Estimated
2.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Fátima Guedes has had her compositions sung by Elis Regina (who presented her for the major audiences in 1978), Maria Bethânia, Nana Caymmi, Simone, Ney Matogrosso, Elba Ramalho, Alcione, Wanderléa, Zizi Possi, Joanna, Simone, and Beth Carvalho, among others. Some of her hits are "Cheiro de Mato," "Condenados," "Onze Fitas," "Absinto," "Lápis de Cor," "Arco-Íris," "Faca," and "Flor-de-ir-embora," Fatima Guedes began to write poems at nine, and at 15, she taught herself the violão (acoustic guitar). At 18, she participated in a festival at Colégio Helio Alonso. The jury, formed by Maria Bethânia, Paulo César Pinheiro, Hermínio Bello de Carvalho, and Roberto Moura granted her the Passional awards for best lyrics, music, and interpretation. Her first album was released in 1979, Fátima Guedes. With "Mais Uma Boca," she disputed the festival MPB/Shell Em l980 and recorded the second Fátima Guedes in the same year. Her Lápis de Cor album (1981) was praised by critics. In 1983, she released Muito Prazer, which had "Absinto," followed by Sétima Arte (1985). Pra Bom Entendedor had compositions by Guinga/Aldir Blanc. Three of her songs were nominated for the 1996 Sharp prize, two from Grande Tempo: "Minha Nossa Senhora" and "Sem Saída." ~ Alvaro Neder

Updated Nov 4, 2026, 6:02 PM
First discovered Aug 28, 2026, 12:32 PM