Marina Viotti

Marina Viotti
Marina Viotti
artist
artist.tools
Playlist Risks
Listeners
308,213/mo
Total Streams
28,411,863
Est. Royalties
$547 - $2,187/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
12
Albums
0
EPs
17
Singles
28,411,863
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Marina Viotti's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

CLSantiago, CL5,890
MXMexico City, MX5,489
BRSão Paulo, BR4,918
COBogotá, CO3,147
GBLondon, GB3,045

Playlist Summary

Overview of this artist's relationship with playlists
60
Playlist adds
0
High-risk playlist adds
1,707
Playlist follower reach (sum)
0
Listeners from playlists
Estimated
0.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

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Biography & Metadata

“A real personality, an artist through and through”(Nuances magazine) Born in Switzerland, her parents both being musiciens. Her roles at the opera include : Isabella in L’italiana in Algeri and Arsace in Aureliano in Palmira at the Rossini festival, La Grande Duchesse de Gerolstein and Elisabetta in Maria Stuarda at the Luzerner Theater, Melibea in Il Viaggio a Reims (Liceu Barcelona), Olga in Onegin (Tchaikovsky) swell as Rosina in Il Barbiere di Siviglia at the Opéra du Rhin. Marina has also been heard in several concerts as a soloist: El amor brujo (De Falla) with the OSI, Mozart Messe en Ut with Gli Angeli, La Petite Messe solennelle (Rossini), Kindertotenlieder (Mahler) with the OCL, Les Nuits d’été (Berlioz)... She also is a regular guest of many festivals (Label Suisse, Festival de la Cité, Lavaux Classic) with her recital “Love has no borders”, touring from Switzerland to Brasil and Japan. Marina is lauréate of several Foundations (Mosetti, Migros, Leenards…). She recently was a finalist in Operalia Competion, won the first price of the Kattenburg Competition in 2017, the 3d price at the Concours de Genève in 2016. Marina Viotti wants to explore, wants to approach other genres, other people : “with a musical ease, a disarming naturality, she is spinning from one style to the other one.” Reason enough to create new projects including the big repertoire of the opera as well as cabaret, jazz or chanson.

Updated Sep 21, 2026, 6:50 AM
First discovered Aug 14, 2026, 6:42 AM