Ella van der Woude

Ella van der Woude
Ella van der Woude
artist
artist.tools
Playlist Risks
Listeners
2,517/mo
Est. Royalties
$9 - $35/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
8
Albums
2
EPs
10
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Ella van der Woude's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

FRParis, FR71
NLAmsterdam, NL54
DEBerlin, DE53
CAMontreal, CA44
GBLondon, GB34

Playlist Summary

Overview of this artist's relationship with playlists
462
Playlist adds
0
High-risk playlist adds
84,082
Playlist follower reach (sum)
240+
Listeners from playlists
Estimated
9.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Ella van der Woude is an Award-Winning Swiss-Dutch film composer whose works include Halfdan Ullman Tøndel’s drama Armand (2024), Halina Reijn’s psychological thriller Instinct (2019) and Ena Sendijarević’s roadmovie Take Me Somewhere Nice (2019). In 2022, Ella became the first female film composer to win a Golden Calf (the Dutch equivalent of the Oscar) for Nico van den Brink’s horror picture Moloch (2022). For her score of Armand, she won the Prix de la meilleure création sonore in Cannes with sound designer Mats Lid Støten. In the same year, Ella scored Above The Dust with fellow composer Juho Nurmela, the latest film by the prolific, legendary Chinese director Wang Xiaoshuai. Ella is a classically-trained pianist whose solo works traverse the vocabularies of both experimental and pop music. A proficient singer, songwriter, and multi-instrumentalist, her guiding principles as a film composer arrive from an intuitive process of exploring sounds. “The search for sounds that resonate is almost more important than the composition. My compositions tend to flow from the instruments that I choose for the film. It is more of a research of sound, in which the compositions will gradually find their place.”

Updated Nov 1, 2026, 8:28 PM
First discovered Oct 19, 2026, 7:56 PM