Kim Weston

Kim Weston
Kim Weston
artist
artist.tools
Playlist Risks
Listeners
215,458/mo
Followers
39,076
Est. Royalties
$1,008 - $4,032/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB8,102
GBManchester, GB3,104
AUSydney, AU2,206
GBBirmingham, GB2,132
AUMelbourne, AU2,104

Playlist Summary

Overview of this artist's relationship with playlists
4,475
Playlist adds
0
High-risk playlist adds
1,404,759
Playlist follower reach (sum)
17,090+
Listeners from playlists
Estimated
7.9%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

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Biography & Metadata

Best known as a duet partner of Marvin Gaye, Kim Weston also charted with some of her own solo sides during the '60s, although she never had the breakout success of a Martha Reeves or Diana Ross. Born Agatha Natalie Weston in Detroit in 1939, she started singing in her church choir at age three, and by her teenage years had joined a touring gospel group called the Wright Specials. She signed with Motown during the company's early days, scoring a minor R&B hit in 1963 with "Love Me All the Way." The following year, she recorded her first duet with Gaye, "What Good Am I Without You," but made the tactical error of turning down a chance to record "Dancing in the Street," which subsequently became a smash hit for Martha & the Vandellas. She enjoyed her biggest solo hit in 1965 with "Take Me in Your Arms (Rock Me a Little While)" and followed it up in 1966 with the equally soulful "Helpless," both of which helped make her reputation among soul collectors. Also in 1966, she cut an entire album of duets with Gaye, Take Two, which produced the Top Five R&B classic "It Takes Two." By the time it was peaking on the charts in early 1967, however, Weston had already left Motown; she and her husband, producer William "Mickey" Stevenson, moved to MGM, but a pair of albums there (For the First Time and This Is America) proved to be commercial failures. Weston subsequently recorded for Volt (Kim Kim Kim), People (Big Brass Four Poster, an album of jazz standards with the Hastings Street Jazz Experience), and Johnny Nash's Banyan Tree, all without much success. She did, however, chart with her version of the anthem "Lift Ev'ry Voice and Sing" in 1970. Weston largely disappeared from the music industry during the '70s; in 1987, Weston became the first of many Motown artists to work with British producer Ian Levine on the Motorcity label, re-recording many of her old hits for the Northern soul market; her two albums for Motorcity, 1990's Investigate and 1992's Talking Loud, also featured some new material. ~ Steve Huey, Rovi

Updated Sep 29, 2026, 1:27 AM
First discovered Aug 26, 2026, 1:20 AM