Buraka Som Sistema

Buraka Som Sistema
Buraka Som Sistema
artist
artist.tools
Playlist Risks
Listeners
237,760/mo
Total Streams
60,676,124
Followers
100,749
Est. Royalties
$435 - $1,739/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
6
Albums
4
EPs
3
Singles
60,676,124
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Buraka Som Sistema's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

PTLisbon, PT16,037
PTPorto, PT6,225
ESMadrid, ES6,025
ESBarcelona, ES3,935
PTCoimbra, PT2,588

Playlist Summary

Overview of this artist's relationship with playlists
12,966
Playlist adds
1
High-risk playlist adds
2,919,211
Playlist follower reach (sum)
49,720+
Listeners from playlists
Estimated
20.9%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

The well-known live band is back from the hiatus since 2016. Buraka Som Sistema just announced a NOS Alive show in July next year. After ten years of the last show, the band announced that they’re up for a 2026 run.   Between 2008 and 2016 the band took over long tours around the world. From Asia to America, Australia to Europe, the energetic band was one of the “must see” acts by that period time. Their iconic performances have become legendary. Coachela, Rock Al Parque or Fuji Rock are examples of the success outside Europe, but also within the continent itself such as the de Montreux Jazz Festival, Pukkelpop, Parklife, Roskilde, among others.   Bangers such as “Hangover (BaBaBa)”, “Kalemba (Wegue Wegue)”, “Sound of Kuduro”, “Yah” and “Stoopid”, were part of the band setlists and had always a cultural angle in it’s work, transforming the music scene in terms of global electronic music.   Buraka Som Sistema have won over international audiences and critics. Articles in prestigious international media outlets attest to this: : New York Times, Pitchfork, Billboard,  Clash, The Guardian, New Musical Express, The Line of the Best Fit, Globo and El País, among others. The band’s 70 million views on it’s official YouTube channel reflect it’s recognition around the globe. In fact, the band’s official documentary, “Off The Beaten Track” (2013), premiered at the prestigious London Film Festival.

Updated Oct 6, 2026, 10:37 PM
First discovered Aug 18, 2026, 6:38 PM