Wall Of Voodoo

Wall Of Voodoo
Wall Of Voodoo
artist
artist.tools
Playlist Risks
Listeners
133,326/mo
Total Streams
54,376,873
Followers
89,594
Est. Royalties
$502 - $2,010/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
5
Albums
0
EPs
4
Singles
54,376,873
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USLos Angeles, US2,736
AUSydney, AU2,305
AUMelbourne, AU2,250
USChicago, US2,164
AUBrisbane, AU1,777

Playlist Summary

Overview of this artist's relationship with playlists
16,303
Playlist adds
0
High-risk playlist adds
3,736,204
Playlist follower reach (sum)
88,280+
Listeners from playlists
Estimated
66.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Best known for their alternative radio classic "Mexican Radio," Wall of Voodoo formed in Los Angeles in 1977, originally as a soundtrack company. Led by singer/songwriter Stan Ridgway and rounded out by guitarist Marc Moreland, bassist/keyboardist Bruce Moreland, keyboardist Chas Gray, and drummer Joe Nanini, the group issued its self-titled debut EP in 1980. With the additions of bassist Bruce Moreland and his brother Marc on guitar (replacing Noland), the band's sound crystallized on 1981's full-length Dark Continent, which couched Ridgway's highly stylized and cinematic narratives -- heavily influenced by Westerns and film noir, and sung in the vocalist's distinctively droll, narcoleptic manner -- in atonal, electronically based settings. In 1982, following the exit of Bruce Moreland, Wall of Voodoo released Call of the West, which featured "Mexican Radio," their biggest hit. After an appearance at the 1983 US Festival, Ridgway left the group for a solo career. The remaining members enlisted singer Andy Prieboy, and resurfaced in 1985 with the LP Seven Days in Sammystown. Happy Planet followed two years later, while 1988's live effort The Ugly Americans in Australia* (the asterisk denoting that a few tracks were recorded in Bullhead City, Arizona) effectively closed out the Wall of Voodoo story. ~ Jason Ankeny, Rovi

Updated Nov 1, 2026, 10:26 PM
First discovered Nov 4, 2025, 5:01 PM