Cécile Chaminade

Cécile Chaminade
Cécile Chaminade
artist
artist.tools
Playlist Risks
Listeners
56,048/mo
Followers
14,286
Est. Royalties
$224 - $897/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
52
Albums
1
EPs
65
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Cécile Chaminade's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB872
AUSydney, AU633
FRParis, FR565
USNew York City, US552
AUMelbourne, AU525

Playlist Summary

Overview of this artist's relationship with playlists
2,917
Playlist adds
0
High-risk playlist adds
1,037,203
Playlist follower reach (sum)
6,710+
Listeners from playlists
Estimated
12.0%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

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Biography & Metadata

One of the relatively few women composers of her time to achieve great popularity, Cécile Chaminade was a child prodigy; she began playing the piano very early, and her first compositions date from the age of eight. Her father wouldn't allow her to attend the Paris Conservatoire, but she did work privately with many instructors, including Benjamin Godard, with whom she studied composition. She gave her first public recital at age 18, and from then on appeared frequently as a pianist in France and Belgium, often playing her own music. She was a regular on British concert stages from the early 1890s, and was a guest of Queen Victoria during one of her British tours. Chaminade made her American debut in 1908, playing her Concertstück, Op. 40 (written around 1896) with the Philadelphia Orchestra. She was a big hit in America, and within a few years many Chaminade clubs sprang up around the country. In 1913 she was the first woman to receive the Legion of Honor from the French government. A large percentage of Chaminade's nearly 400 compositions were published during her lifetime. About half of those are short piano pieces, some of which, like The Scarf Dance and The Flatterer, were once quite popular. She also wrote about 125 songs, as well as a few larger, more ambitious pieces like the ballet Callirhoë (1888), the comic opera La Sevillane, and the dramatic symphony Les Amazones, Op. 26, for chorus and orchestra (1888). She also composed two orchestral suites and a handful of chamber works, including two trios.

Updated Oct 1, 2026, 11:38 PM
First discovered Aug 18, 2026, 10:26 PM