M. Ward

M. Ward
M. Ward
artist
artist.tools
Playlist Risks
Listeners
521,212/mo
Followers
231,492
Est. Royalties
$2,040 - $8,161/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
15
Albums
1
EPs
10
Singles
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB8,888
USLos Angeles, US7,851
USNew York City, US7,805
USChicago, US7,560
AUMelbourne, AU6,828

Playlist Summary

Overview of this artist's relationship with playlists
27,801
Playlist adds
3
High-risk playlist adds
7,343,871
Playlist follower reach (sum)
139,440+
Listeners from playlists
Estimated
26.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

‘Supernatural Thing’ is M. Ward’s first new music in three years, but in 2020 M. Ward released two albums. On April's ‘Migration Stories’, Ward was inspired by the immigration journeys he’d heard from friends or read about in newspapers, as well as what his own grandfather had to go through when immigrating to the US from Mexico. For the December album ‘Think of Spring’ he covered classic Billie Holiday tunes, as she is an artist he’s greatly inspired by. The album’s guest stars — First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James and others — enliven the album with surprises. Eight of the album’s ten songs are Ward originals, but there is also an unusual Bowie choice, “I Can’t Give Everything Away” from Blackstar, and a live rendition of Daniel Johnston’s “Story of an Artist.” M. Ward says that “the title comes from an early thought as a kid that radio traveled the same airwaves as messages from supernatural things — and music, especially remembered music, is somehow tied up in this exchange. The sending and receiving of messages from memory and dreams seem to move along this same often broken-up wavelength. I see this new record as an extension, 18 years later, of my ‘Transistor Radio’ record, but this new record is better because its more concise and has more voices and more moods — the way my favorite radio was and still is.”

Updated Sep 21, 2026, 6:15 PM
First discovered Nov 20, 2025, 9:24 PM