Mew

Mew
Mew
artist
artist.tools
Playlist Risks
Listeners
108,248/mo
Total Streams
129,020,947
Followers
155,777
Est. Royalties
$435 - $1,740/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
12
Albums
2
EPs
20
Singles
129,020,947
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

DKCopenhagen, DK5,011
DKAarhus, DK3,192
MXMexico City, MX2,624
NOOslo, NO2,140
IDJakarta, ID1,836

Playlist Summary

Overview of this artist's relationship with playlists
8,728
Playlist adds
1
High-risk playlist adds
918,371
Playlist follower reach (sum)
10,060+
Listeners from playlists
Estimated
9.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

The members of space pop innovators Mew first met in the seventh grade in Hellerup, Denmark. Before they could even play instruments, the ambitious youths -- singer Jonas Bjerre, guitarist Bo Madsen, bassist Johan Wohlert, and drummer Silas Graae -- were ready to make music together, although they initially failed as a band called Orange Dog. Madsen briefly spent time in the United States before the guys came back together in their late teens as Mew. Inspired by My Bloody Valentine, the Pixies, Dinosaur Jr., the Pet Shop Boys, and Prince, the Danish quartet's first gig impressed a book-publishing agent in the audience so much that he promptly convinced his company to change their business plan and release Mew's debut album. Limited to only 2,000 copies, A Triumph for Man was issued in 1997 to critical acclaim. Making things even more dramatic for their gigs, the Mew live experience came to incorporate background animations created by Bjerre. Mew followed up three years later with Half the World Is Watching Me, released on their own newly created label, Evil Office. The album saw a limited release in Sweden before the band hooked up with Sony for an international deal. As a result of the deal, the album was ultimately pulled so that they could re-record their best work to date for a worldwide release. The resulting well-received Frengers appeared in 2003. That same year, the band picked up Album of the Year and Band of the Year honors at the Danish Music Critics Awards. Mew's expansive pop dramatics, intricate passages, and shimmering atmospheric sound were further elaborated on for album number four, And the Glass Handed Kites. The record was issued in Europe and the U.K. in September 2005; an American release followed in July 2006. Wohlert had exited the group that spring to be with his growing family, though Mew continued touring during the summer on U.S. dates with Bloc Party. Mew's fifth full-length album, No More Stories Are Told Today..., arrived in 2009 and would be their last outing for Sony. The following year saw the release of the band's first compilation LP, Eggs Are Funny, and in 2015 Mew issued their sixth studio album, the Michael Beinhorn-produced, Play It Again Sam-issued + -. Months after the release of + -, Madsen parted ways with the band. Mew's first post-Madsen release, Visuals, arrived in 2017. The album featured the expansive single "Carry Me to Safety" and the jazzy "Twist Quest." ~ Corey Apar

Updated Sep 25, 2026, 7:19 PM
First discovered Mar 19, 2025, 10:07 PM