The Wildhearts are the kind of band that the British rock press dreams about: creatively brilliant, completely out of control, and utterly doomed from day one. Led by charismatic Ginger, the group's turbulent career has lived up to the highest (or lowest, as it were) expectations, with all the ups and downs of a roller-coaster ride. After numerous frightening twists and turns, the band finally derailed in spectacular fashion, but not before yielding a wealth of inspired hard rock and literally miles of even more entertaining magazine copy, only to rise again and again through dozens of lineup changes, with Ginger the sole constant. After making a splashy debut with 1993's Earth vs. the Wildhearts and wowing fans and critics with 1995's P.H.U.Q., the Wildhearts spent literally decades collapsing and re-forming, keeping hardcore fans happy with LPs like 2006's Geordie in Wonderland, 2014's Mad, Bad and Dangerous to Know, and 2025's Satanic Rites of the Wildhearts. A longtime denizen of London's sleazy underground glam rock scene, vocalist/guitarist Ginger was coming off a brief stint with Faces wannabes the London Quireboys (he was kicked out for doing too many drugs) and an even shorter turn with New York-based glam disasters the Throbs when he decided to start his own group, the Wildhearts, in early 1990. Joining him were ex-Tattooed Love Boys guitarist Chris "C.J." Jagdhar, drummer Andrew "Stidi" Stidolph, singer Snake, and one Julian on bass, but this setup wouldn't last long (a sign of things to come) and by the following year, Ginger had sacked everyone but Jagdhar and assumed vocal duties himself. After borrowing drummer Bam Bam from the Dogs D'Amour and recruiting 19-year-old bassist Danny McCormack, the group became an instant sensation in London clubs. Their unashamedly decadent image and ultra-heavy hard rock quickly ignited the English press' hype machine and, after flirting with Atco, they signed a contract with EastWest Records in the summer of 1991. Besides wetting their feet in the recording studio with a couple of EPs (Mondo Akimbo A-Go-Go and Don't Be Happy...Just Worry), the Wildhearts continued to tour incessantly throughout 1992, logging an especially memorable trek with on-the-rise glam-political rockers the Manic Street Preachers. Come the new year, Bam Bam resumed his post with the Dogs D'Amour, making way for the return of original drummer Stidi, who performed on the band's full-length debut Earth vs. the Wildhearts, released in September 1993. Though it achieved reasonable success across Europe and the U.K. (climbing to number 46 on the national charts), the album received little promotional support in America, and Ginger soon began butting heads with EastWest and seemingly taking it out on his bandmates. Stidi was the first casualty, replaced in October by former Radio Moscow drummer Ritch Battersby, who promptly joined the band on tour. Criss-crossing the U.K. with other British hopefuls like the Almighty and Wolfsbane, the Wildhearts set new standards for rude behavior and substance abuse, but rarely failed to impress with their over-the-top stage antics and impossible-to-contain intensity. Despite their growing momentum, however, 1994 was to be a troubled year for the group; the first of many, actually. In July, "blood brother" C.J. Jagdhar was somehow fired during one of Ginger's wild mood swings (a decision he later claimed to deeply regret) and the band's future continually hung in the balance. Guitarist Devin Townsend (Steve Vai, Strapping Young Lad) and keyboard player Willie Downing (the Grip, Honeycrack) joined temporarily, performing with the Wildhearts at the Reading Festival, where bassist Danny McCormack also managed to dislocate his knee during the very first song but soldiered through to the end of the set. To close out the year, Ginger and McCormack paid a destructive visit to the headquarters of Kerrang! magazine, where they proceeded to trash office equipment and generally raised hell in a brilliant publicity stunt geared to promote a fan club-only release called Fishing for Luckies. Whether legitimate or fabricated by the press, chaos and controversy continued to dog the Wildhearts' every step in the ensuing months, leading up to the long-overdue release of their sophomore effort in May 1995. Miraculously, in spite of all the madness that reigned during its creation -- including the use of two separate producers and a supposed suicide attempt by Ginger while mastering the disc in New York -- the aptly named P.H.U.Q. album was arguably the Wildhearts' finest hour, entering the British charts at number six and finding great favor with fans and media alike. The euphoria would be short-lived, however, as it too went largely ignored outside the U.K., Europe, and Japan, and was never even released in America. Adding to this ongoing soap opera, recently added new guitarist Mark Keds (former Senseless Things) was with the band for less than a month before going A.W.O.L. in the middle of a Japanese tour and forcing them to cancel numerous U.K. appearances upon their return, not least of which, a would-be lucrative slot at the Phoenix Festival. New guitarist Jef Streatfield came onboard in October 1995, but the increasingly unstable Ginger continued his very public spiral out of control, squabbling with EastWest and threatening to split up the Wildhearts unless they were released from their contract. A nervous truce was finally struck when the band was offered the opening slot on AC/DC's 1996 tour of Europe; but plans to carry on with the second leg in America were squashed at the last minute when the label's U.S. division pulled their tour support. This proved to be the last straw, and they were finally dropped by EastWest, which re-released Fishing for Luckies later that year, along with a Best of the Wildhearts collection. The band stubbornly carried on, releasing two independent singles before signing with tiny Mushroom Records and issuing 1997's Endless, Nameless (a strange experiment in white noise which made them no friends). The band quickly disintegrated a short time later, and another collection of B-sides and leftovers entitled Landmines & Pantomines seemed to close the book on the Wildhearts' career. Though he tried to start from scratch a few years later with new group Silver Ginger 5, Ginger eventually reunited the "classic" Wildhearts lineup once again in early 2001; the reassembled band even released an album in the United States, Riff After Riff, in 2004. The following year, Ginger dissolved the band, citing a mixture of personal issues and a lack of commitment from within the group. He briefly joined Brides of Destruction as a guitarist before embarking on a solo career. As early as 2006, the Wildhearts were re-formed in order to play a show in Wolverhampton; they were joined by new bassist Scott Sorry (Amen). After the show, Sorry was made a permanent member, even appearing on their 2007 eponymous album, which was recorded in Tutbury Castle. They went on to record an album of covers, 2008's Stop Us If You've Heard This One Before, Vol. 1, which included renditions of Helmet, Fugazi, and the Distillers. Another studio album arrived in 2009, Chutzpah, accompanied by a mini-album, Chutzpah, Jr., the latter of which featured unused studio sessions and B-sides from the Japanese release of the former. Sorry left the band in 2009 and, combined with Battersby's retirement due to injury, effectively put the band back on hiatus; Ginger joined Michael Monroe's band as a guitarist and appeared on his 2011 album Sensory Overdrive. Wildhearts re-formed in 2012, bringing in John Poole to replace Sorry. Earth vs. the Wildhearts turned 20 in 2013, leading to a string of shows where they performed the album in full, followed by select hits; the gig at Nottingham Rock City was recorded for a live album, 2014's Rock City vs. the Wildhearts. The following year saw the 20th anniversary of P.H.U.Q., and they once again embarked to tour the album. They toured again in 2018 when Earth vs. the Wildhearts reached its 25th anniversary. After a 12-year wait, they released their ninth studio album, 2019's Renaissance Men, which saw Battersby come out of retirement to write and perform on the record. The Diagnosis EP was released in August of the same year, while late 2020 saw the release of a double-live album, 30 Year Itch, capturing the band on their 2019 tour. Ginger and co. returned in 2021 with their tenth studio album, 21st Century Love Songs. Not unexpectedly, the 21st Century Love Songs lineup fell apart after a supporting tour, and Ginger put together yet another edition of the Wildhearts featuring Ben Marsden and Kavus Torabi on guitars, Jon Poole on bass, and Dudge on drums. Striking a new label deal with Snakefarm Records, the group headed into the studio in mid-2024 with producer Jim Pinder, and late in the year their 11th studio album was ready to go. Satanic Rites of the Wildhearts was released in March 2025. ~ Eduardo Rivadavia & Liam Martin, Rovi

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