Wang Chung

Wang Chung
Wang Chung
artist
artist.tools
Playlist Risks
Listeners
2,309,021/mo
Total Streams
1,105,033,203
Followers
422,942
Est. Royalties
$7,012 - $28,049/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
7
Albums
0
EPs
6
Singles
1,105,033,203
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

CLSantiago, CL37,898
MXMexico City, MX36,257
GBLondon, GB34,648
AUSydney, AU34,444
AUMelbourne, AU30,927

Playlist Summary

Overview of this artist's relationship with playlists
96,775
Playlist adds
4
High-risk playlist adds
19,481,582
Playlist follower reach (sum)
429,740+
Listeners from playlists
Estimated
18.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

The London-based new wave group Wang Chung had a handful of hits in the mid-'80s, achieving their greatest popularity in the U.S. Originally called Huang Chung, the band consisted of vocalist/guitarist Jack Hues, bassist Nick Feldman, and drummer Darren Costin. The band recorded four tracks for 101 Records in the late '70s, all of which appeared on a pair of compilation albums. Huang Chung released their first single, "Isn't It About Time We Were on Television?," in 1980; the record led to a contract with Arista Records. The group released their first album, Huang Chung, in 1982. By the time they recorded 1984's Points on a Curve, the band had changed their name to Wang Chung. "Dance Hall Days" was a small hit in Britain, yet the band hit the Top 40 twice in America -- "Don't Let Go" made it to number 36, while "Dance Hall Days" reached number 16. From this point on, Wang Chung ignored the U.K. market, choosing to concentrate on the U.S. "To Live and Die in L.A.," the theme song from William Friedken's thriller, just missed making the Top 40 in 1985. That same year, Wang Chung switched from Geffen Records to A&M and Costin left the band. Hues and Feldman continued as a duo and released Mosaic in 1986. The album was their biggest hit, launching the number two hit "Everybody Have Fun Tonight" and the Top Ten "Let's Go!" Wang Chung returned in 1989 with The Warmer Side of Cool, which spent a mere six weeks on the charts, spawning the minor hit, "Praying to a New God." After the relative disappointment of the album, the group quietly stopped touring and recording. ~ Stephen Thomas Erlewine, Rovi

Updated Oct 1, 2026, 8:38 PM
First discovered Oct 24, 2025, 10:52 PM