Christina Kubisch

Christina Kubisch
Christina Kubisch
artist
artist.tools
Playlist Risks
Listeners
255/mo
Est. Royalties
$1 - $4/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB8
CLSantiago, CL4
FRParis, FR4
NOOslo, NO4
DEBerlin, DE4

Playlist Summary

Overview of this artist's relationship with playlists
215
Playlist adds
0
High-risk playlist adds
17,872
Playlist follower reach (sum)
30+
Listeners from playlists
Estimated
11.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Christina Kubish is one of the leading lights in the sound art field, designing sound and visual installations shown in museums around the world. Born in 1948 in Bremen, Germany, for years she struggled between her desires to create both music (she played flute and piano as well as playing at the Jazz Academy in Graz, Austria) and visual arts, until she decided to merge her two interests together in the mid-'70s. Several of her common themes involve the way people perceive and interact with nature and the sounds given out by objects that we do not normally consider musical. Among her early projects was "Emergency Solos," a series of flute recitals given while wearing assorted types of gloves. In 1977, she collaborated with video artist Fabrizio Plessia on the LP Two and Two (re-released in 2001. Using a variety of instruments ranging from the accordion to found objects, the performance artists also filmed and projected minute details of their performance on screens. Another collaboration with Plessia was Tempo Liquido, which consisted of a series of experimental sounds including that of a thimble being rubbed on a sheet of glass. In 1980, she began studying electronics at the Technical Institute of Milan. Not wanting to perform live anymore as she disliked the concert hall venue, she began creating her first sound installations. These included 1981's "Il Respiro Del Mare," for which she developed her own magnetic sound induction system. She introduced cordless headphones in her works like "Conference of Trees," which transmitted the sounds of five bonsai trees to attentive listeners. The sound component of her 1994 installation Sechs Spiegel has been released on CD, which used the architectural proportions of the Ludgwigskirche to determine the rates of repetitions and pauses in vibrating drinking glasses. In 2000, she was the feature of a 20-year retrospective solo exhibition in Russelsheim. Among her other installations are "The Clocktower Project," which used solar energy to program the type of chimes a bell tower would ring, and "Dinner Music," which projected different pieces of music at the same time through plates on a table. ~ Geoff Orens, Rovi

Updated Oct 6, 2026, 7:29 PM
First discovered Aug 31, 2026, 4:26 PM