Todd Edwards

Todd Edwards
Todd Edwards
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners752,931+0.6%7dListeners from Playlists61,120+0.2%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
14
EPs
125
Singles
387,534,951
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

MXMexico City, MX19,715
GBLondon, GB15,453
CLSantiago, CL12,030
USLos Angeles, US8,828
AUSydney, AU8,547

Playlist Summary

Overview of this artist's relationship with playlists
13,850
Playlist adds
2
High-risk playlist adds
3,624,594
Playlist follower reach (sum)
61,120+
Listeners from playlists
Estimated
8.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Todd Edwards created an innovative blend of rhythmic, cut-and-paste vocal samples, rubbery basslines, and slapping percussion that helped propel Britain's Sunday clubscene into the genuine cultural phenomenon of speed garage. Based in New Jersey, Edwards began producing for Nervous, the New York house label, during the early '90s. His 1993 "Guide My Soul" single, recorded as Messenger, established a prototype for garage music that retained the soul and grit but avoided the overly polished airs much of the music had acquired. One year later, "The Praise" (as the Sample Choir) continued Edwards' irresistible, unique production style -- which often utilizes dozens of different samples, many of them himself -- and he also worked with two "real" vocalists, Kim English ("Tomorrow") and Veda Simpson ("Oohhh Baby"). 
 In 1994, Edwards recorded several tracks for an upcoming New Jersey jazz-house label, i! Records. One year later, his second proper release on the label, "Saved My Life," became a big club hit and earned license in Britain through Pete Tong's ffrr Records. He provided remixes for several dance hits, by Robin S., Wildchild, Indo, St Germain, The Beloved, and label-mate Kevin Yost. In 1999, Nervous collected his productions on a CD collection, and i! Records released Prima Edizione, a quasi-compilation including four new tracks. Edwards also released an EP with Tuff Jam, and completed a co-production for inclusion on Daft Punk's sophomore album. ~ John Bush, Rovi

Updated Nov 12, 2026, 1:26 AM
First discovered May 2, 2024, 5:21 PM