Hildegard Knef

Hildegard Knef
Hildegard Knef
artist
artist.tools
Playlist Risks
Listeners
207,711/mo
Total Streams
63,412,251
Followers
44,348
Est. Royalties
$698 - $2,792/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
20
Albums
2
EPs
8
Singles
63,412,251
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

DEBerlin, DE24,460
DEHamburg, DE12,013
DEMunich, DE9,759
DEFrankfurt am Main, DE9,345
DEStuttgart, DE7,141

Playlist Summary

Overview of this artist's relationship with playlists
6,306
Playlist adds
0
High-risk playlist adds
1,457,965
Playlist follower reach (sum)
7,880+
Listeners from playlists
Estimated
3.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Although Hildegard Knef (aka Hildegard Neff, or simply "Die Knef") was best known in her native Germany as one of the most important actresses to emerge after WWII, she was also an accomplished musician in her own right. Working primarily with the German chanson (a type of vocal pop popular in that country in the mid-20th century), she released over 20 albums and recorded over 300 songs (writing or co-writing almost half of them). Her music career officially began in 1951 with the release of the split 7" Ein Herz Ist Zu Verschenken/Jeden Abend Stehe Ich am Hafen (Jonny). Numerous singles and EPs followed throughout the '50s and early '60s, but Knef didn't truly launch herself as a chansonette until the '60s with the release of hit songs like "Fur Mich Soll's Rote Rosen Regnen" (It Shall Rain Red Roses for Me) and "Ich Hab Noch Einen Koffer in Berlin" (I've Got a Suitcase Left in Berlin). The latter song was so popular in its day that the title became a common turn of phrase. Her popularity stretched well into the following decade, after which Knef devoted most of her energy to writing. She continued to record up until the very end, however, and even enjoyed a number one hit in 1994 with Extrabreit's remake of "Fur Mich Soll's Rote Rosen Regnen," which featured a vocal cameo by the legendary chansonette. ~ TiVo Staff, Rovi

Updated Oct 14, 2026, 7:55 PM
First discovered May 31, 2026, 9:22 AM