Dum Dum Girls

Dum Dum Girls
Dum Dum Girls
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
2
EPs
7
Singles
60,578,399
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USLos Angeles, US2,936
MXMexico City, MX2,587
GBLondon, GB2,510
USNew York City, US2,285
USChicago, US2,134

Playlist Summary

Overview of this artist's relationship with playlists
16,858
Playlist adds
0
High-risk playlist adds
2,360,757
Playlist follower reach (sum)
26,960+
Listeners from playlists
Estimated
15.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Since they emerged at a time when C-86-inspired acts like Vivian Girls and the Pains of Being Pure at Heart were in vogue, it's little wonder that California's Dum Dum Girls -- a group whose '60s-inflected lo-fi pop brings to mind acts like Black Tambourine and Dolly Mixture -- became something of a sensation on the indie circuit soon after the release of their first single. In 2008, lead singer Kristin Gundred (aka Dee Dee) began making solo recordings as Dum Dum Girls, deriving the name both from the Vaselines' album Dum-Dum and from the Iggy Pop song "Dum Dum Boys." Over the course of the next year, Dee Dee released a couple singles (a 7" single on Hozac, a four-way split single on Art Fag), a 12" EP (Yours Alone, released via Captured Tracks), and a compilation disc appearance (on Art Fag's Blissed Out cassette comp). Thanks to the high level of buzz surrounding Dee Dee (and, of course, the quality of the records), Sub Pop signed Dum Dum Girls in 2009. Dum Dum Girls' first Sub Pop single, "Jail La La," was released in early 2010, with the debut album I Will Be following soon after. Both recordings were mostly done by Dee Dee at home (with some help from Nick Zinner and Crocodiles' Brandon Welchez) and then expertly produced in the studio by Richard Gottehrer, who had formerly worked with the Go-Go's and Blondie. Before the album's release, Dee Dee teamed up with guitarist Jules, bassist Bambi, and drummer Frankie Rose (formerly of like-minded groups Crystal Stilts and Vivian Girls) to form a live band. Rose left the band in June of 2010 and was replaced by a drummer named Sandra Vu, who was with the band when its fall tour of the U.S. was canceled due to the passing of Dee Dee's mother. After spending some time regrouping, the band began playing more shows as the year drew to a close. In 2011, the He Gets Me High EP was released. Recorded just before her mother's death, the record was cut by Dee Dee without her band, and was produced again by Gottehrer with help from the Raveonettes' Sune Rose Wagner. On the personnel front, Bambi left the band in late 2011, making way for Malia James. A full-length sophomore album, Only in Dreams, appeared later that year. The album featured Dee Dee's bandmates for the first time and revolved around the pain of her mother's death. In the autumn of 2012, End of Daze, an EP consisting of tracks recorded just after the Only in Dreams sessions, plus songs recorded a year later, was released. The band's third full-length record, 2014's Too True, was once again produced by Gottehrer and Wagner, but this time Dee Dee played and sang everything herself (with some help from Wagner). After she finished the touring cycle for the album, Dee Dee realized she was done being a Dum Dum Girl for the time being and started a new project. Aiming for a brighter, more synth pop and R&B-influenced sound, she adopted the name Kristin Kontrol and released her debut album, X-Communicate, for Sub Pop in May of 2016. ~ Tim Sendra, Rovi

Updated Nov 5, 2026, 7:08 PM
First discovered Aug 21, 2026, 3:06 PM