MorMor

MorMor
MorMor
artist
artist.tools
Playlist Risks
Listeners
250,964/mo
Total Streams
119,865,191
Followers
128,762
Est. Royalties
$649 - $2,598/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
1
Albums
4
EPs
13
Singles
119,865,191
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View MorMor's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

TRIstanbul, TR6,602
MXMexico City, MX4,594
GBLondon, GB4,414
USLos Angeles, US3,906
USNew York City, US3,130

Playlist Summary

Overview of this artist's relationship with playlists
21,403
Playlist adds
1
High-risk playlist adds
4,548,031
Playlist follower reach (sum)
45,590+
Listeners from playlists
Estimated
18.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Seth Nyquist, better known as MorMor, used to work in isolation. This self-contained process led to his 2018 breakout song “Heaven’s Only Wishful,” a stunningly singular ballad that stopped the world in its tracks and brought him personal praise from both Max Martin’s MXM Music and Steven Malkmus. His debut album Semblance, written and recorded during the pandemic lockdowns, followed in 2022. Nyquist was keen to embrace that sense of freedom as he worked on the follow-up to Semblance. “There’s an element of spontaneity and rawness,” he explains. “I love melody and I have never run away from that but I have always had big visions, too.” “It’s less about hiding behind metaphor and more about being open about what I’m actually feeling,” he adds. “I want to reveal parts of myself that others might not feel comfortable sharing.” The shift that came with loosening his grip on the wheel also makes the future look like an exciting place to be. “I used to think about how things would be received so much,” he says. “It started to shape decisions without me even realizing. I made music from the heart but there was always this pressure in the background. I’m not trying to control the narrative anymore.” The music’s only going to get more unfiltered, more instinctive, and more extreme in places, Nyquist says, “and I’m fine with that.”

Updated Oct 20, 2026, 8:07 PM
First discovered Aug 12, 2026, 3:39 PM