Frank Signorelli

Frank Signorelli
Frank Signorelli
artist
artist.tools
Playlist Risks
Listeners
236/mo
Est. Royalties
$1 - $3/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USNew York City, US8
USSan Francisco, US4
CAToronto, CA3
USSeattle, US3
USHouston, US3

Playlist Summary

Overview of this artist's relationship with playlists
31
Playlist adds
0
High-risk playlist adds
1,988
Playlist follower reach (sum)
10+
Listeners from playlists
Estimated
4.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Frank Signorelli was an important player behind the scenes as an organizer and an accompanying pianist with several notable bands. In 1917, with Phil Napoleon, he was a founding member of the Original Memphis Five. He recorded extensively with that prolific group through 1931. Signorelli was briefly a member of the Original Dixieland Jazz Band in 1921, and in 1927, he was in Adrian Rollini's legendary (if short-lived) New Yorker group. Signorelli appeared on many classic records with Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, and Eddie Lang during the era, plus on a countless number with dance bands and backing commercial singers. He played with a newer version of the Original Dixieland Jazz Band (1936-1938), worked with Paul Whiteman for a few months in 1938, and played regularly during the '40s and '50s (including at Nick's with Bobby Hackett) and helped organize the revived Original Memphis Five. Frank Signorelli, who composed "I'll Never Be The Same," "Stairway to the Stars," and "A Blues Serenade" in the '30s, only led three obscure record dates in his career: four titles in 1926, four more from 1946 with a quintet that included Phil Napoleon, and two songs for Stinson in 1950 backing singer Art Gentry. He recorded as a sideman as late as 1958 (with Miff Mole). ~ Scott Yanow, Rovi

Updated Sep 26, 2026, 10:07 PM
First discovered Aug 21, 2026, 8:05 PM