The Beatnuts

The Beatnuts
The Beatnuts
artist
artist.tools
Playlist Risks
Listeners
706,218/mo
Total Streams
757,376,269
Followers
216,215
Est. Royalties
$1,897 - $7,588/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR10,828
CLSantiago, CL10,513
GBLondon, GB8,509
USNew York City, US7,455
DEBerlin, DE7,387

Playlist Summary

Overview of this artist's relationship with playlists
59,601
Playlist adds
2
High-risk playlist adds
9,102,686
Playlist follower reach (sum)
138,250+
Listeners from playlists
Estimated
19.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

An underground Latino crew who moved from being strictly producers to make some action on the other side of the mixing board as well, the Beatnuts first hooked up in the late '80s, with Junkyard Ju-Ju (aka JuJu, born Jerry Tineo) and Psycho Les (born Lester Fernandez) being joined by Fashion (aka Kool Fashion, born Berntony Smalls). After working with the Jungle Brothers, the trio connected with Monie Love on a production job for "Pups Lickin Bone" from her 1990 debut album, Down to Earth. They also worked on remixes for Cypress Hill, Naughty by Nature, da Lench Mob, and Prime Minister Pete Nice, earning their own contract with Combat Records for the 1993 mini-LP Intoxicated Demons. The album's release was held up when Kool Fashion was arrested and jailed for six months on a drug conviction, but the Beatnuts released a self-titled album the following year, on Violator/Relativity. After a hiatus verging on three years, Fashion became a Muslim and left the Beatnuts, releasing his debut solo album, God Connections, with production help from his old bandmates. JuJu and Psycho Les finally returned to release the Beatnuts' third album, Stone Crazy, in 1997. Musical Massacre followed two years later. Take It or Squeeze It, issued in spring 2001, captured the Beatnuts' danceable funk as well as collaborations with Method Man and Fat Man Scoop. The next year, The Originators brought back Al Tariq (that is, Kool Fashion) and delivered another round of bionic beats. ~ John Bush, Rovi

Updated Nov 1, 2026, 10:26 PM
First discovered Nov 4, 2025, 5:44 PM