Some Days Are Darker

Some Days Are Darker
Some Days Are Darker
artist
artist.tools
Playlist Risks
Listeners
23,087/mo
Total Streams
1,036,685
Est. Royalties
$45 - $179/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
0
EPs
15
Singles
1,036,685
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

MXMexico City, MX714
BRSão Paulo, BR361
DEBerlin, DE267
PLWarsaw, PL254
USLos Angeles, US218

Playlist Summary

Overview of this artist's relationship with playlists
1,689
Playlist adds
0
High-risk playlist adds
560,977
Playlist follower reach (sum)
14,690+
Listeners from playlists
Estimated
63.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Some Days Are Darker draws from the shadowy grandeur of goth, the hypnotic pulse of synth-driven alternative rock, and the intimacy of noir cinema, but defies easy categorization. Their songs move fluidly between towering walls of sound and moments of startling vulnerability, creating a world that feels at once cinematic and intensely personal. The result is music that doesn’t simply tell stories of love, loss, lust, and rebirth—it puts the listener inside them. That tension reaches its fullest expression on Black Box Warning, the band’s forthcoming album, recorded with Dave Catching at the legendary Rancho de la Luna in Joshua Tree, California. A twelve-song exploration of desire and its consequences, the record moves from some of the most intense and expansive music the band has created to quiet, exposed moments, including a solo acoustic performance and a closing piano ballad that leaves the record in emotional ruins. Rancho de la Luna—whose magical desert atmosphere has drawn artists including Iggy Pop, Queens of the Stone Age, Arctic Monkeys, Foo Fighters, PJ Harvey, and Daniel Lanois—provides an appropriately otherworldly backdrop for an album concerned with the things we chase, the things we lose, and the possibility that we may not always recognize the difference.

Updated Nov 1, 2026, 3:44 PM
First discovered Dec 13, 2025, 11:18 AM