Horacio Hernández

Horacio Hernández
Horacio Hernández
artist
artist.tools
Playlist Risks
Listeners
1,815/mo
Est. Royalties
$2 - $9/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
8
Albums
0
EPs
4
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Horacio Hernández's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

COBogotá, CO86
MXMexico City, MX64
PELima, PE36
CLSantiago, CL33
MXPuebla City, MX28

Playlist Summary

Overview of this artist's relationship with playlists
210
Playlist adds
0
High-risk playlist adds
46,225
Playlist follower reach (sum)
190+
Listeners from playlists
Estimated
10.5%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Few percussionist have done as much to further the marriage of jazz, rock and Cuban music as Horacio "El Negro" Hernandez. Through his work with jazz luminaries like Dizzy Gillespie, Gonzalo Rubalcaba, Michel Camilo and Latin rock icon Carlos Santana, Hernandez has become Afro-Cuban music's most visible drummer. Growing up in a house filled with music in Cuba, Hernandez was exposed to the traditional music his Grandfather loved, the progressive jazz sounds of his father and the American rock music his brother tuned in from nearby Miami radio stations. U.S. rock music being outlawed at the time, Hernandez was detained at the age of thirteen for being caught playing Cream covers with friends from music school. El Negro worked his way up in the Cuban recording and performance community, playing with artists like Rubalcaba, and recording better than 300 records during his time in Havana. As the resident session player for two Havana studios, he kept a mattress in one of their spare rooms, sometimes not returning home for a week or more. Having built an international reputation via his work with Rubalcaba, Hernandez defected to Italy in hopes of transitioning from there to New York. He spent three years there, teaching at a conservatory and performing regularly in Rome's busy club scene. When the opportunity arose to relocate to NY, Hernandez took it, playing club gigs for $50 a night until he was legally allowed to work. Once able to travel he was offered a gig with Latin jazz piano master Michel Camilo. Through his work with Camilo, Dave Valentin and the TropiJazz All-Stars, Hernandez played on the most influential Latin jazz recordings of the '90s. He was introduced to mainstream audiences in 1997 as part of Carlos Santana's touring band with whom he played the biggest venues of his career. Hernandez earned his first Grammy with Michel Camilo's Live at the Blue Note, which took Best Latin Jazz Album in 2003. El Negro's debut as a bandleader came a year later with the Grammy nominated Italuba, followed two years later by Italuba II. ~ Evan C. Gutierrez, Rovi

Updated Nov 2, 2026, 11:55 PM
First discovered Aug 25, 2026, 6:35 PM