Carlinhos Brown

Carlinhos Brown
Carlinhos Brown
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
26
Albums
2
EPs
74
Singles
1,393,190,477
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Carlinhos Brown's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR65,571
BRItabuna, BR36,149
BRSalvador, BR30,893
BRRio de Janeiro, BR28,630
BRBelo Horizonte, BR18,197

Playlist Summary

Overview of this artist's relationship with playlists
15,642
Playlist adds
1
High-risk playlist adds
5,241,167
Playlist follower reach (sum)
75,840+
Listeners from playlists
Estimated
9.9%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
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Happened at

Biography & Metadata

Privileged percussionist Carlinhos Brown also found his way as a composer and vocalist, displaying all his musical virtues in several albums which were released after 1996's Alfagamabetizado. He has had over 200 of his songs recorded by many interpreters like Marisa Monte ("Segue o Seco," "Maria de Verdade," "Arrepio," "Magamalabares"), Gal Costa, Daniela Mercury ("Rapunzel," "Rimas Irmãs"), Cássia Eller, Daúde ("Lavanda"), and Sepultura. More than 30 of them reached the Brazilian top parade. Sérgio Mendes's Brasileiro, which had five songs by Brown, was awarded with a Grammy. Brown also recorded with Herbie Hancock. Carlinhos Brown's first and most important percussion mentor was Mestre Pintado do Bongô (Osvaldo Alves da Silva), with whom he learned to highly regard the rich tradition of Brazilian folklore (especially that of Bahia). In 1980, Brown, already one of the most-reputed percussionists in Bahia, worked in a small recording company in Salvador, where he polished his recording and production skills doing jingles. At the same time, he turned his perception towards a synthesis of Brazilian rhythms with international pop music, being among the first waves of world music. His first composition to hit the radios was "Visão Do Ciclope," recorded by Luís Caldas in 1984. In the next year, he was invited by Caetano Veloso to join his band. Veloso recorded Brown's "Meia Lua Inteira" (Estrangeiro, 1989), which was later included in the soundtrack of the soap opera Tieta. In that period, Brown also worked with Gilberto Gil and Gal Costa and participated in world tours by names like João Gilberto, Djavan, and João Bosco. In the '90s, he formed the Timbalada, a drum band with more than 120 instrumentalists and singers which recorded several albums and developed its own successful trajectory, which began in the Carnival of Bahia. The Timbalada was Brown's first project that he dedicated to promoting social actions directed to young poor boys and girls from Salvador; among its goals, the project aimed to provide education for street children. ~ Alvaro Neder, Rovi

Updated Nov 4, 2026, 8:46 PM
First discovered Aug 12, 2026, 3:39 PM