Scrimshire

Scrimshire
Scrimshire
artist
artist.tools
Playlist Risks
Listeners
34,967/mo
Followers
11,132
Est. Royalties
$146 - $584/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
12
Albums
10
EPs
50
Singles
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB1,588
FRParis, FR563
AUMelbourne, AU547
DEBerlin, DE482
AUSydney, AU448

Playlist Summary

Overview of this artist's relationship with playlists
4,098
Playlist adds
0
High-risk playlist adds
780,659
Playlist follower reach (sum)
11,870+
Listeners from playlists
Estimated
33.9%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Adam Scrimshire began making music at 14, recording his first DIY album on an Amiga 500 in 1994. After moving to London in the late 90s to study audio engineering, he signed to Wah Wah 45s in 2006, releasing three albums including The Hollow, named one of Gilles Peterson's albums of the year in 2011. After a six-year hiatus, he returned in 2019 with Listeners on his own Albert's Favourites label, collaborating with Georgia Anne Muldrow, Emma-Jean Thackray and Madison McFerrin. Believers Vol. 1 followed, featuring Omar, K.O.G. and Penya. In 2021 Nothing Feels Like Everything was nominated for Album of the Year at Gilles Peterson's Worldwide Awards and The Guardian named Scrimshire one of three crucial soul-music producers in the UK alongside Inflo and Swindle. The Music for Autumn Lovers project followed, first as an EP of four songs plus interludes, before expanding into a full-length album. His ninth album, Bring Our Light To Every Corner (2026): an unhurried hybrid of spiritual jazz, folk, soul and chamber pop was awarded ★★★★ in MOJO, while NTS's Patrick Forge praised its “harmony, texture, space, memorable themes and sublime abstractions”, describing it as somewhere between Pentangle and David Axelrod. Across nine albums, Scrimshire's music has always been concerned with listening — to people, places, memory and the spaces between genres.

Updated Sep 24, 2026, 6:10 PM
First discovered Aug 22, 2026, 3:49 PM