Tophouse

Tophouse
Tophouse
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners297,429-0.3%7dListeners from Playlists7,200-7.9%7dChangeN/A—

295,572 – 298,215

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
5
EPs
26
Singles
60,477,784
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Tophouse's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USChicago, US5,683
USDenver, US5,497
USMinneapolis, US4,646
GBLondon, GB4,074
USDallas, US3,645

Playlist Summary

Overview of this artist's relationship with playlists
15,210
Playlist adds
0
High-risk playlist adds
691,703
Playlist follower reach (sum)
7,200+
Listeners from playlists
Estimated
2.4%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

(Hi, our official band bio for our new album was too long for Spotify, so I randomly chopped off the first several paragraphs. Hope it still makes sense!) The making of the new album started on a chaotic note. In the summer of 2025, Andy LaFave (piano), prompted by a back injury on tour and an autism diagnosis for his young child, decided to bow out of touring permanently. Eli Isbell, a longtime fill-in player for LaFave and close friend of the group, agreed to come on as an official full-time member of the band touring alongside Joseph Larson (lead vocals, guitar, banjo), Jesse Davis (guitar, mandolin, percussion), and William Cook (violin). This unexpected tour lineup reshuffle, right on the cusp of recording a new album, turned out to be a blessing in disguise. “While I was recovering at home while the guys were on tour, I suddenly had time to spend some long nights alone in the studio going over demos of these incredible new songs Jesse and Joe had written.” Says LaFave. “I kept adding all kinds of weird synths and stacked choirs to the demos and sending them to the guys, and to my surprise everyone was digging it.” An ambitious but cohesive sound began to evolve for the new songs. When the band got back from tour in the Fall of 2025, they got to work recording the album with LaFave producing. It was a seamless evolution of the band’s sound, bigger and fuller while maintaining the lyrical depth of the songs.

Updated Nov 7, 2026, 3:47 AM
First discovered Aug 23, 2026, 1:27 AM