Gangsta Pat

Gangsta Pat
Gangsta Pat
artist
artist.tools
Playlist Risks
Listeners
208,488/mo
Followers
90,042
Est. Royalties
$734 - $2,936/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

USLos Angeles, US5,717
USDallas, US3,905
USChicago, US3,865
USHouston, US3,772
USPhoenix, US3,307

Playlist Summary

Overview of this artist's relationship with playlists
21,908
Playlist adds
1
High-risk playlist adds
974,386
Playlist follower reach (sum)
9,610+
Listeners from playlists
Estimated
4.6%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

One of the first Memphis rappers to make the major-label jump, Gangsta Pat never attained the acclaim or success of fellow Memphis pioneers Three 6 Mafia and Eightball & MJG, yet he still remains noteworthy for his trailblazing. Pat's career began promisingly when Atlantic signed him at the dawn of the gangsta rap era and released #1 Suspect (1991) as well as two accompanying singles, "I'm tha Gangsta" and "Gangsta's Need Love 2." Like most of Atlantic's other rap releases from the time, Pat's debut made little impact, quickly going out of print and leaving the rapper without a recording contract soon after. Pat returned to the underground the next year with Wrap Records, a short-lived indie label distributed by Ichiban. Wrap released two Pat albums, All About Comin' Up (1992) and Sex, Money & Murder (1994), as well as two respective singles, "Gangsta Boogie" and "That Type of Gangsta." Once again, Pat found little success beyond the Atlanta-Memphis axis and thus packed his bags, moving to Power Records for Deadly Verses (1995) and Homicidal Lifestyle (1997). These two albums showcased a more introspective and mature style, as Pat sped up his flow à la Bone and darkened his themes à la Three 6 Mafia. Regardless, despite the cult following he began to garner with these two highly regarded albums, he couldn't translate the support into national sales, and he moved on to yet another label, Red Rum. He remained there for quite a while, releasing a string of albums beginning with The Story of My Life (1997) that tended to emulate the trends of their respective eras. Perhaps as a plea for much-needed publicity, Pat targeted Three 6 Mafia on his 1999 album, Tear Yo Club Down, with a pointed dis track. ~ Jason Birchmeier, Rovi

Updated Nov 2, 2026, 9:33 PM
First discovered Apr 26, 2026, 3:04 PM