Bryan Ferry

Bryan Ferry
Bryan Ferry
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners3,140,197-0.7%7dListeners from Playlists663,780+7.7%7dChangeN/A—

3,140,197 – 3,163,808

Discography

Their catalog as it appears on their public Spotify artist profile
24
Albums
1
EPs
40
Singles
1,848,886,937
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

BRSão Paulo, BR93,601
CLSantiago, CL81,781
GBLondon, GB52,114
AUSydney, AU41,402
AUMelbourne, AU37,271

Playlist Summary

Overview of this artist's relationship with playlists
103,390
Playlist adds
4
High-risk playlist adds
29,957,493
Playlist follower reach (sum)
663,780+
Listeners from playlists
Estimated
21.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Bryan Ferry first gained recognition in the 1970s as creator, singer and principal songwriter of the legendary Roxy Music. Always creatively restless, drawing on art, cinema, poetry, literature, love and the price of love – and music of all description – with Roxy and as a solo artist he has recorded twenty-four albums over the course of a career that has now spanned six decades. At once timeless and ultra-modern, across eight constantly evolving albums Roxy became known as much for combining ideas about art, design and fashion in the performance and presentation of their music as the trailblazing music itself. Released in 1972, their self-titled first album is regularly hailed as one of the greatest debuts of all time. Roxy’s last studio album, 1982’s Avalon, has similarly been canonised among the landmark recordings of its era. Ferry began his solo career in 1973, in tandem with his work with Roxy. As songwriter, in tracks like 1985’s “Slave To Love,” he again created some of the key records of the period. Simultaneously, through an unpredictable series of cover versions, he has carved a reputation as one of the great modern interpreters of song, with the ability to make other people’s songs practically his own, as demonstrated by his definitive version of Wilbert Harrison’s “Let’s Stick Together,” and Roxy’s remake of John Lennon’s “Jealous Guy.”

Updated Nov 8, 2026, 9:43 PM
First discovered Dec 7, 2025, 4:45 PM