J. C. Higginbotham

J. C. Higginbotham
J. C. Higginbotham
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners157+1.9%7dListeners from Playlists20+100.0%7dChangeN/A—

154 – 160

Discography

Their catalog as it appears on their public Spotify artist profile
2
Albums
0
EPs
0
Singles
13,409,517
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

SEStockholm, SE6
GRAthens, GR4
GBLondon, GB4
ESBarcelona, ES3

Playlist Summary

Overview of this artist's relationship with playlists
74
Playlist adds
0
High-risk playlist adds
7,440
Playlist follower reach (sum)
20+
Listeners from playlists
Estimated
12.7%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

An extroverted trombonist with a sound of his own, J.C. Higginbotham was heard at his best during the late '20s and early '30s, when he was one of the stars with Luis Russell's orchestra. From that point on, he went gradually downhill due to being an alcoholic, but he had worthy moments along the way. He started his career playing in territory bands in the Midwest. Higginbotham was with Russell (1928-1931) for some classic recordings, including a few sessions backing Louis Armstrong, and two songs on which he fronted the orchestra under the title of "J.C. Higginbotham and His Six Hicks." Higginbotham was a featured soloist with the orchestras of Fletcher Henderson, Chick Webb, and Benny Carter during the next six years, before re-joining Russell's band when it was playing a purely supportive role behind Armstrong (1937-1940); he had a few solos on Satch's better records of the period. Having teamed up with Red Allen while with Luis Russell, Higginbotham happily joined Allen's hot jump band for a long stint (1940-1947). Higginbotham spent a few years in obscurity, led his own groups in the mid-'50s, and re-joined Allen for a residency at the Metropole that lasted until 1963. He led sessions for Sonet (1962) and Jazzology (1966), but continued his decline until his death. ~ Scott Yanow, Rovi

Updated Nov 7, 2026, 4:44 AM
First discovered Oct 7, 2026, 4:19 AM