Tír na nÓg

Tír na nÓg
Tír na nÓg
artist
artist.tools
Playlist Risks
Listeners
293,997/mo
Followers
29,144
Est. Royalties
$1,185 - $4,742/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
7
Albums
0
EPs
0
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Tír na nÓg's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB7,958
USNew York City, US4,888
USLos Angeles, US4,660
AUMelbourne, AU3,666
USChicago, US3,581

Playlist Summary

Overview of this artist's relationship with playlists
13,967
Playlist adds
0
High-risk playlist adds
956,181
Playlist follower reach (sum)
18,230+
Listeners from playlists
Estimated
6.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

Although they only lasted five years, Tir Na Nog managed to make their brief time in existence count, and fans of '70s folk still sing their praises warmly. Formed in Dublin in 1969, the duo of Sonny Condell and Leo O'Kelly were making the right music at the right time. Although influenced by traditional music, their compositions followed the singer/songwriter bent of the time, and the blend of two voices and two guitars did their material justice, light, airy, and thoroughly engaging, with bits of tabla and exotica -- although definitely not as quirky as contemporaries Dr. Strangely Strange. However, it wasn't until 1971 that they issued their eponymous debut, which put them firmly in the same territory as Fairport Convention, Magna Carta, and Fotheringay -- in other words, on the fringes, although they proved popular with a number of BBC disc jockeys, including John Peel, who played their work on the radio. It certainly helped that they toured a great deal, moving between the folk clubs and more lucrative college circuit, where they created a decent following, seemingly in a constant support slot. However, the exposure wasn't enough to really boost them into the second division, let alone the top league, in spite of the crowd sing-along favorite "Aberdeen Angus" always being requested. When the acoustic angle didn't bring stardom, the pair decided to go for a more conventional route, moving more toward rock for 1972's A Tear and a Smile, which proved to be neither fish nor fowl, but remained with one foot tentatively in folk, the other in rock, as if trying to be all things to all men -- and failing. The following year came Strong in the Sun, by which time they'd decided to be more of a rock band fronted by two singers with acoustic guitars -- a pretty fair compromise. Their best-known disc, it was produced by former Procol Harum member Matthew Fisher, and contained "Free Ride," which became their signature song. The record raised their profile, but still couldn't break them through to the other side, and in 1974 they split up, with Condell going on to form Scullion. Over the years they have got back together for occasional Tir Na Nog shows, one 1995 gig being commemorated on Live at the Hibernian, recorded in Birmingham, England, although the sound quality was execrable, and not worthy of commercial release. ~ Chris Nickson, Rovi

Updated Nov 2, 2026, 9:22 PM
First discovered Sep 11, 2024, 3:33 PM