STR4TA

STR4TA
STR4TA
artist
artist.tools
Playlist Risks
Listeners
Total Streams
Followers
Est. Royalties

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Monthly Listeners48,993+3.7%7dListeners from Playlists21,110+4.2%7dChangeN/A—

Series

  • Monthly Listeners
  • Listeners from Playlists
  • Change

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
2
EPs
13
Singles
12,454,334
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View STR4TA's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB1,107
CLSantiago, CL690
AUSydney, AU591
AUMelbourne, AU566
USLos Angeles, US480

Playlist Summary

Overview of this artist's relationship with playlists
5,815
Playlist adds
0
High-risk playlist adds
1,656,101
Playlist follower reach (sum)
21,110+
Listeners from playlists
Estimated
43.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

STR4TA is a new project produced by Gilles Peterson and Jean-Paul “Bluey” Maunick, reinvigorating the loose, protean energy of the early-80s Brit-funk scene.  Long-time friends and collaborators, STR4TA sees them mine new musical possibilities out of that shared formative era. Bringing a fresh slant to a sound first developed by groups like Atmosfear, Hi-Tension, Light of the World and Freeez  – with Maunick, it should be noted, also a member of the latter two bands – it’s the first material that Maunick and Peterson have released together in over a decade.  “The idea of the project was to capture that raw, moment to moment sound,” Maunick says, drawing a contrast to the touches of refinement he and his peers have acquired in the years since. In its early days, the Brit-funk sound – and the London jazz-funk milieu it grew out of – was rooted in raucous live shows, rivalling those of the punk bands in that same period. Recalling his role in the process, Peterson says he was the one making sure things didn’t get too polished. “I was there at the back, telling them, no, leave it like that, cut it there, or just use that first take,” he says.

Updated Nov 14, 2026, 1:18 AM
First discovered Aug 25, 2026, 6:26 PM