Mike Dunn

Mike Dunn
Mike Dunn
artist
artist.tools
Playlist Risks
Listeners
313,798/mo
Total Streams
257,681,742
Followers
34,647
Est. Royalties
$1,327 - $5,309/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
20
EPs
58
Singles
257,681,742
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Mike Dunn's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB13,251
AUSydney, AU6,405
AUMelbourne, AU6,257
NLAmsterdam, NL4,266
USNew York City, US4,219

Playlist Summary

Overview of this artist's relationship with playlists
20,733
Playlist adds
0
High-risk playlist adds
2,685,009
Playlist follower reach (sum)
27,760+
Listeners from playlists
Estimated
8.8%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

For anyone who knows their shit, Mike Dunn should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, most notably as a major progenitor of acid house. “I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live." Word soon spread about his talents and Mike was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug releasing 'Dance You Mutha' in 1987. More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”. More recently, tracks like Phreaky MF’ and ‘God Made Me Phunky’, re-released on Defected records, have raised his profile and delivered his music to new audiences. Whilst new interest in Mike’s original old school jamz have taken him to work with the new generation of house and techno producers and labels.

Updated Nov 1, 2026, 4:33 PM
First discovered Aug 21, 2026, 8:44 AM