Isaac Albéniz is best known for piano music that brilliantly evokes the spirit of Spain. As a composer-virtuoso, Albéniz successfully melded composition and performance to create a bravura style reminiscent of the music of Liszt and seasoned with Spanish folk idioms. The work that most convincingly represents this synthesis of virtuosity and tradition is the enchantingly colorful and atmospheric Iberia, a suite of 12 pieces recalling Spanish (particularly Andalusian) places and dances. Albéniz used folklore as his inspiration, but created a singular melodic style that eventually influenced Debussy and Ravel. Believing that artistic originality and an interest in one's national musical tradition do not exclude each other, Albéniz likewise was largely the creator of the Spanish musical idiom that would be adopted and developed by Granados and de Falla. Born in 1860, the child prodigy Albéniz was accepted, at the age of seven, as a private pupil by Antoine-François Marmontel, the celebrated piano pedagogue whose students included Bizet and Debussy. Back in Spain within a year, he gave a concert tour and eventually entered the Madrid Conservatory. He soon ran away, concertized around Spain, and in 1872 stowed away on a ship sailing for Latin America. Upon his return to Europe the following year, he entered the Leipzig Conservatory, where he briefly studied with Carl Reinecke. Soon thereafter, a patron enabled him to enter Brussels Conservatory to study piano and composition. Albéniz won the conservatory's first prize in 1879; the following year, he obtained an audience with Franz Liszt in Budapest; he joined the master's entourage for a spell and continued to work on his technique as a pianist. After more wandering through Europe and South America, he settled in Barcelona in 1883, married, and started a family. By that time, he already had a reputation as a composer of brilliant salon music for the piano. Many of these pieces are just as frequently played on guitar by modern performers. Selections from the Suite Española No. 1, Op. 47, written between 1882 and 1889, continue to charm and appear often on classical greatest-hits collections. They also demonstrate his nascent appreciation for Spanish folk music. Around 1890, he met Felipe Pedrell, a prominent musicologist, composer, and collector of folk songs. Following the encounter with Pedrell, Albéniz re-examined his work as a composer, deciding to seek new inspiration in the rich musical traditions of Spain. Not yet satisfied with his craftsmanship, Albéniz moved to Paris to study with Paul Dukas and Vincent d'Indy. The restless Albéniz somehow hung on to a job teaching piano at Paris' Schola Cantorum from 1893 to 1900; then he undertook further peregrinations while working on his masterpiece, Iberia. An immensely popular work, Iberia has also been transcribed for orchestra; successful orchestral versions include Leopold Stokowski's "Fête-Dieu à Seville." Another work which gained wide popularity as an orchestral transcription is the "Tango in D" from the 1890 España for piano, Op. 165. Albéniz also wrote for the stage; his lyric comedy Pepita Jiménez and several other works were produced in the 1890s. He died in 1909. ~ TiVo Staff, Rovi

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Isaac Albéniz

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