The Jesus and Mary Chain

The Jesus and Mary Chain
The Jesus and Mary Chain
artist
artist.tools
Playlist Risks
Listeners
997,990/mo
Followers
590,455
Est. Royalties
$4,180 - $16,722/mo

Charts

Tracks

Playlists

Press Mentions

Google Rankings

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

GBLondon, GB32,241
AUMelbourne, AU14,449
USLos Angeles, US13,197
AUSydney, AU13,134
USNew York City, US12,122

Playlist Summary

Overview of this artist's relationship with playlists
74,454
Playlist adds
1
High-risk playlist adds
15,082,294
Playlist follower reach (sum)
312,320+
Listeners from playlists
Estimated
31.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist
Event
Playlist
Botted?
Position
Track
Happened at

Biography & Metadata

One of the most influential bands of their generation and beyond, The Jesus and Mary Chain mark their 40th anniversary in 2024 with a new album, Glasgow Eyes. Released by Fuzz Club and distributed by Cooking Vinyl, this is the band’s first studio album since Damage And Joy (2017). The exact point of any band’s inception is hard to pin down, but for Jim, the ‘wish’ crystallised into reality one night in June 1984: “I always think it was the day we played our first show, because up until then the whole idea had been kind of abstract, it didn’t feel real. When we played in London, there were only about six people watching, but I remember thinking, ‘That’s it. The band is born’.” The new album was recorded at the Scottish band Mogwai’s studio Castle of Doom in Glasgow: “we quite liked the idea of a title that suggested that we were kind of returning home to where it all started,” says Jim. “William had a front cover, a face with fucked up eyes. This seemed to suggest the title of the album: Glasgow Eyes.” As for their creative process, the Reid brothers approach the studio in the way they always have. “It’s remarkably the same as it was in 1984,” says Jim. “Just hit the studio and see what happens. We went in with a bunch of songs and let it takes its course. There are no rules, you just do whatever it takes. And there’s a telepathy there - we are those weird not-quite twins that finish each other’s sentences.”

Updated Oct 17, 2026, 9:45 PM
First discovered Nov 20, 2025, 9:24 PM