Paula Temple

Paula Temple
Paula Temple
artist
artist.tools
Playlist Risks
Listeners
17,610/mo
Followers
60,589
Est. Royalties
$54 - $215/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

DEBerlin, DE463
COBogotá, CO346
GBLondon, GB338
ESMadrid, ES299
NLAmsterdam, NL239

Playlist Summary

Overview of this artist's relationship with playlists
3,907
Playlist adds
0
High-risk playlist adds
816,108
Playlist follower reach (sum)
5,870+
Listeners from playlists
Estimated
33.3%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

England's Paula Temple is a highly respected DJ and producer of hard, uncompromising techno, and a technological innovator. Active as a DJ since the 1990s, Temple co-developed the MXF8, a MIDI controller designed for live performances, during the early 2000s. After a nearly decade-long break from touring and making music, she returned in 2013, releasing EPs on labels like R&S and 50 Weapons, leading up to her full-length debut, 2019's Edge of Everything. Temple began to DJ during the '90s, and received significant early exposure thanks to British dance magazine Muzik. She won a contest which granted her a day of studio lessons from Dave Angel, and later was featured in the magazine's Bedroom Bedlam mix competition, which led to further DJ gigs. She made her recording debut in 2002 with an EP titled The Speck of the Future, released by Chris McCormack's Materials label. The EP received attention from techno's elite; Jeff Mills included the track "Contact" on his 2004 mix CD Exhibitionist. Temple utilized the MXF8 controller during her hybrid live/DJ performances, and toured steadily until 2005. She then moved to Leeds and became a teacher, setting aside touring and releasing music for several years. Eventually she relocated to Berlin and started getting back into the club scene. When she finally began making music again, R&S immediately signed her, and Colonized appeared in 2013, followed by Deathvox in 2014. She performed at numerous festivals, and remixed tracks by artists such as the Knife, Fink, and the Prodigy. She also launched the Noise Manifesto label, which released the Decon/Recon series of collaborative 12" EPs, as well as her long-awaited debut album, Edge of Everything (2019). ~ Paul Simpson, Rovi

Updated Sep 26, 2026, 7:58 PM
First discovered Nov 17, 2025, 3:36 PM