Baccara

Baccara
Baccara
artist
artist.tools
Playlist Risks
Listeners
1,547,749/mo
Followers
206,387
Est. Royalties
$4,031 - $16,123/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
18
Albums
0
EPs
18
Singles
Total Streams

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

MXMexico City, MX46,007
GBLondon, GB36,763
ESMadrid, ES19,836
CLSantiago, CL16,626
ESBarcelona, ES14,969

Playlist Summary

Overview of this artist's relationship with playlists
58,333
Playlist adds
3
High-risk playlist adds
15,724,322
Playlist follower reach (sum)
326,240+
Listeners from playlists
Estimated
21.1%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Spanish flamenco artists Mayte Mateus and Maria Mendiolo were already performing together in 1977 for tourists when they were snapped up by RCA exec Leon Deane. Named Baccara, the duo partnered with Rolf Soja, who penned their debut, "Yes Sir I Can Boogie." Released in the middle of 1977, the song rocketed up the U.K. charts, scoring the band a number one in September. On the strength of that song, their self-titled debut album was an instant success, and a further follow-up single, "Sorry I'm a Lady," gave the duo another U.K. hit in early 1978. Touring Europe brought Baccara a larger fan base and even wider audience for their follow-up albums. Light My Fire was released in 1978 and spun off several singles, including "La Bamba" and "Parlez-Vous Français?" The latter, of course, was their entry for that year's Eurovision Song Contest, where they represented Luxembourg. A hot property, Baccara found themselves on the European and U.K. television circuit, appearing on Germany's Musikladen and on England's Sacha Distel Show as regular guests while their disco was in fashion. The band released just two more albums, Colours in 1979 and Bad Boys in 1981. The hit process continued in their native Spain, Germany, and Japan during these three years, although Britain considered them little more than one- or two-hit wonders. Indeed, their final album as Baccara didn't even see release in that country. By the time Bad Boys hit the racks, both Mateus and Mendiolo were increasingly focusing on their own solo ventures and, by 1983, the original incarnation of Baccara had split. By the middle of the decade, however, both women were leading their own versions of the band -- Mendiolo as Baccara paired with Marissa Perez, and Mateus as New Baccara, first with Jane Comerford and later with Gina T. It was the Mendiolo/Perez duo that emerged triumphant heavy-hitters on the HI-NRG scene during the late '80s, releasing a string of club hits -- "Touch Me," "Fantasy Boy," and "Call Me Up" -- that culminated in the confusingly titled New Baccara's Fun, Fun, Fun LP in 1990 (the album also included a new version of "Yes Sir I Can Boogie"). Both versions of Baccara continued to record and perform throughout the '90s, with a cover version of "Wind Beneath My Wings" a massive U.K. club hit, while various hits packages have been released without any real distinction between the two bands. Indeed, in the late '90s, New Baccara dropped the first word from their name, again becoming Baccara. A hits package, Baccara 2000, was released in 1999. Maria Mendiolo died on September 11, 2021 at the age of 69. ~ Amy Hanson, Rovi

Updated Sep 26, 2026, 7:59 PM
First discovered Nov 17, 2025, 3:25 PM