Omagoqa

Omagoqa
Omagoqa
artist
artist.tools
Playlist Risks
Listeners
78,865/mo
Followers
18,109
Est. Royalties
$123 - $492/mo

Charts

Tracks

Playlists

SEO

Press Mentions

Overview

Monthly Listeners

Discography

Their catalog as it appears on their public Spotify artist profile
3
Albums
4
EPs
13
Singles
Total Streams

Genres

Spotify has not assigned genres to this artist yet

View Omagoqa's most-streamed songs

Top Audiences

Top listener locations as determined by Spotify

Top Listener Locations

ZADurban, ZA21,898
ZACape Town, ZA18,117
ZAJohannesburg, ZA10,097
ZAPort Elizabeth, ZA5,366
ZAPretoria, ZA3,181

Playlist Summary

Overview of this artist's relationship with playlists
1,030
Playlist adds
0
High-risk playlist adds
306,160
Playlist follower reach (sum)
8,020+
Listeners from playlists
Estimated
10.2%
Of listeners from playlists
Estimated

Playlist Movement

Recent playlist add/remove events for this artist

No activity found

This artist's playlist additions and removals will appear here.

Biography & Metadata

Hailing from Durban, South Africa, the trio Omagoqa consisting of Andile Mazibuko (Ma_A), Franco Makhathini (KB) and Njabulo Sibiya (Chase), is rooted in the rhythmic pulse of percussion and bass, the essence of Gqom. Their musical odyssey began as individual journeys in 2012, leading to the formation of the collective Unticipated Sounds in 2014. Venturing on, they soon founded Omagoqa, with their foundational tools being a simple laptop and FL Studio. Initially influenced by South Africa’s hailing house music and stalwart such as Da Capo and Duke Soul, their sound matured drawing inspiration from the unique style of DJ Lag amongst others. Omagoqa stand today as a testament to the evolving and vibrant gqom genre, creating new wave gqom with the artistic intention to always let the masses feel the indigenous authenticity of sound. Their music showcases a version of gqom coined ‘uThayela’ & ‘Is’qinsi’. ‘uThayela’ translates literally to “corrugated iron” which you find being used as roofing material on most South African homes. It’s used to describe “a rougher sound with a harder bassline that it is made for clubs”. ‘Is’qinsi’ is described as an infusion between ‘uThayela’ and electronic sounds generally associated with foreign based Electronica type musical elements.

Updated Oct 6, 2026, 5:05 PM
First discovered Aug 14, 2026, 10:50 AM